Parituras para conjuntos

Night and Day never sounded so good! Solo vocal with jazz ensemble arranged in the Sinatra style with a tenor sax solo and supurb ensemble writing. Arranged in two keys for vocal flexibility - just fl...

Perhaps the most famous time chart of all time, Take Five is in 5/4 but the rhythmic pattern is clear and consistent throughout. You'll find this arrangement very accessible with easy alto sax and dru...

Bass 'bone players can count on one hand the good charts available for their instrument. Well, here is one of the best, arranged by Dave Wolpe. A medium-swing feel, this showcase will bring the best o...

All the key ingredients you would expect on this timeless swing tune and it's accessible to rehearse and play. Features include the iconic drum pattern as it recurs throughout, easy brass ranges with...

Un tema conmovedor con un título y una melodía pegadizos, en el que Erik Morales captura el ritmo de swing medio del compositor Bobby Timmons. A 120 BPM, con una intro un poco misteriosa, los saxos se...

At 148 BPM, this medium swinger is arranged in two keys for flexibility, the high key is A-flat with the range from E-flat first line to third space C, treble clef. The low key is E-flat and the range...

Look out, old Mackie is back! This fabulous vocal chart modulates four times, up a half-step each time and has a written-out tenor solo and a big shout chorus. Arranged in two keys, the high key begin...

Swingin' and singin' with big band! This chart practically plays itself. The key is F minor, the vocal range is middle C to 3rd space C, and the lead trumpet range is to written F top line. Solo space...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

A fine vocal chart of a wonderful standard treated as a moderate swing. Arranged in two keys for flexibility, the low female key is C, and the vocal range is G below middle C to third line B. The high...

My Man Sam de Gordon Goodwin es un homenaje al difunto, genial y brillante arreglista/compositor Sammy Nestico. El tempo medio de swing es de 134 BPM y los solos escritos sugeridos son para trompeta 2...

Se trata de una reedición del famoso título interpretado por Count Basie y otros. Debería estar en la biblioteca de TODOS los conjuntos de jazz escolares y tocarse al menos una vez a la semana. Ideal...

Del CD de Quincy Jones y Sammy Nestico titulado Basie & Beyond. Compuesta por el compositor y productor Quincy Jones, ganador de un Grammy, se trata de un swinger para solista de piano, guitarra o vib...

Featuring the lead trombone, this one really swings! George Gershwin composed it and Dave Wolpe arranged the ultimate jazz standard as a showcase for your trombone soloist and the entire bone section....

More Duke Ellington magic! This chart sells itself... the vocal group is just the frosting on the cake. The voice leadings are good and the band cooks along well. Look at this one!

You can hear the train comin' down the tracks! Mike Carubia presents this big band classic in a fresh new arrangement for jazz ensemble with jazz vocal quartet, in either SATB or optional SSAA version...

Moonlight Serenade

A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility--it works for your female or male vocalist. A great Gershwin song w...

Another outstanding jazz vocal with jazz ensemble! This chart is totally flexible---it's written in two keys! The higher key usually works for your male vocalist and the lower key for your female voca...

Set in a laidback swing groove, this chart features a sax chorus, some driving ensemble sections, and solos for trombone, tenor sax, trumpet and piano (suggested solos provided for all). Sammy says th...

From the 'Basie-Straight Ahead' recording of 1968 featuring the legendary Count Basie, Harold Jones, Grover Mitchell, Marshall Royal and Freddie Green, highlights here include a recurring alto/trumpet...

As recorded by Count Basie & His Orchestra for their Basie Straight Ahead album of 1968, this classic blues features a moderate tempo, piano and tenor solos, solid sax and brass solis, and a series of...

This solid swing tune featuring an open solo section, modest brass ranges, and lots of full-ensemble scoring comes with a sheet of written solo lines for all instrument types for players with little o...

Written by Count Basie and his vocalist, Jimmy Rushing, this tune was a staple of the early Basie band. The chart that we offer here is a later vocal version written for Peggy Lee by Quincy Jones. It...