Parituras para conjuntos

Let's Face The Music is another priceless Ella chart, transcribed from her Irving Berlin Songbook album. The original arrangement was by Paul Weston, and calls for Flute and Clarinet doubles in the re...

Transcribed from her Harold Arlen songbook album, this fabulous Ella chart was originally arranged by the late, great Billy May and it swings like crazy from start to finish. His use of the unison sax...

8 brass, 5 saxes and 4 rhythm, plus 3 optional flutes, 2 Bb clarinets and horn in F. Swing band girl vocal. The all time favourite ballad, featured in the 1942 film Casablanca. A full band intro leads...

From the album 'Rock Swings' a very effective medium groove version of the 1994 Soundgarden number in the classic Sinatra/Basie style. Available for Augmented Big Band with full strings (POW4330) The...

Medium tempo swinger that features great sounding ensemble. Some sac dbls.

As a follow-up to his popular arrangement of Coventry Carol, arranger Tony Susi has taken O Come, O Come, Emmanuel and crafted it into a spirited Latin-rock arrangement called Rejoice! Great minor har...

La arreglista Yukiko Nishimura revela su distintivo carácter musical a través de este arreglo de una clásica melodía navideña. El objetivo de este arreglo es que los intérpretes resuenen musicalmente...

Originally written for the film 'Youth on Parade' by the prolific team of Jule Styne & Sammy Cahn, this tune became a huge hit for Helen Forrest and the Harry James Orchestra.HJ recorded the chart in...

Right from the Count Basie book, and taken from the latest CD from the Count Basie Band. This is not a re-arrangement! These are the parts used by Frank Foster and the Basie Band in their nightly enga...

This version of Alright, Okay was done by Joe Williams with the Count Basie Orchestra and it is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart and...

Der Opener zu Phil Collins Serious Hits Live Tour This is the African style call and response song featured on the video release of his Berlin concert and re-created for the full big band by Harry Kim...

Jazz at Lincoln Center Library. is an exciting project under the artistic direction of Wynton Marsalis that is dedicated to the preservation of the jazz style and designed to honor the greats of jazz...

Another beautifully relaxed chart from the Basie band, featured on the Atomic Mr Basie album. Written by Neal Hefti, this easy chart is aptly named. It is slow, relaxed, laid-back and super cool. It f...

This is Frank Sinatra at his best. This chart is a transcription of Sinatra with the Count Basie Band, taken from Sinatra at the Sands. It features the original band into - big, punchy and nearly a mi...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

Here is a very lush and sweet arrangement of Fascination Waltz, as recorded by the Joe Loss Orchestra. The saxes are Miller voiced throughout, scored for CAATT (with the first Tenor also doubling Clar...

A powerful mid-tempo hard-driving number with sections for open solos. Right from bar 1 this chart really shows what excitement can be generated by the sound of the contemporary big band. From the alb...

From the Natalie Cole album 'Unforgetable With Love'. A particularly fine medium groove Ralph Burns arrangement in the classic relaxed 'Basie' style-the perfect combination of singer and big band.Key...

Medium up-tempo D-flat major blues (half note = 108) scored for Count Basie (and partially dictated by the Count himself) around 1060, somewhat imitating the Basie Band style of the 1940's, with brass...

Basierend auf der Fassung auf Michael Bublés 'It's Time'. Enthält opt. Stimmen: Violine 1 und 2, Viola, Cello, 2 Flöten und 2 Klarinetten

Fans of Louis Jordan will instantly recognize this title, and our arrangement is equally singable by most male or female singers. The rhythm section starts it off, and the trumpets blow the dirty 'wah...