Partituras para instrumentos de cuerdas

Violoncello, Basso continuo - Spielpartitur; Einzelstimme

Violoncello, Basso continuo - Spielpartitur; Einzelstimme

This composition for violoncello and piano in the style of a Sicilian dance is from Gabriel Fauré's middle creative period and was first published simultaneously in France and England in 1898, reflect...

After the great success of his Élégie (HN 563), Fauré's publisher Hamelle urged him to write another, similarly effective piece for cello and piano. Papillon was probably already composed in 1884, tho...

This single-movement sonata for cello and piano, Evgeny Kissin's Opus 2, evokes a sombre, melancholic ballad. The approximately ten-minute work from 2016 places high demands on both instrumentalists i...

At the beginning of the 1870s, Saint-Saëns showed a particular fondness for the violoncello. He completed his first cello sonata in December 1872, immediately after finishing his first cello concerto...

This brief, utterly charming and tuneful piece was probably committed to paper in 1894, though Fauré based it on an older version for cello and organ. The subsequent tempo change to 'Andante quasi All...

Without a doubt, Dvořák's melodious cello concerto numbers among the most popular of its kind. It is hard to imagine that the Musical Times harboured little hope that it would remain in the repertoire...

After the first cello sonata of 1872 (HN 1057) quickly became popular, the publisher kept urging the composition of a second sonata for this instrumentation. But it was not until March 1905, in the mi...

Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitu...

In contrast to the first cello sonata (HN1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the sta...

Pocos meses después de terminar su Sonata para violonchelo op. 6, Strauss compuso otra obra para este instrumento: una Romanza para violonchelo y orquesta, que permaneció inédita en vida. Según el man...

De las cinco sonatas para violonchelo de Beethoven, la Grande Sonate op. 69, publicada en 1809, no sólo es la pieza central, sino también la más significativa musicalmente. El ingenioso acoplamiento d...

Escritas en 1815, las dos Sonatas op. 102 marcan la transición hacia las sonoridades a menudo austeras del estilo tardío de Beethoven. Un crítico de la edición original señaló en 1818 que 'sin duda se...

Escritas en 1815, las dos Sonatas op. 102 marcan la transición hacia las sonoridades a menudo austeras del estilo tardío de Beethoven. Un crítico de la edición original señaló en 1818 que 'sin duda se...

Al igual que la Salut d'amour de Elgar, las dos "chansons" figuran entre sus melodías más populares. La ensoñadora Chanson de nuit y su alegre homóloga Chanson de matin se interpretan a menudo juntas....

Las sonatas publicadas en 1732 en Ámsterdam, Londres y París con el nombre de Benedetto Marcello han llegado hasta nuestros días firmemente asentadas en el repertorio para violonchelo. Aunque la autor...

Joseph Bodin de Boismortier was highly successful in his lifetime, but many of his more than 100 works are forgotten today. His Duo Sonatas for string or wind instruments, however, continue to enjoy g...

¡Arriba el telón para Henriëtte Bosmans! La Sonata para violonchelo y piano escrita en 1919 por la compositora y pianista holandesa es todo un descubrimiento: música exuberante y cantarina en un estil...

Three Suites for Cello Solo by Max Reger. This Henle Urtext Edition is an accurate and authoriatative version, carefully edited by Wolf-Dieter Seiffert.

A short while ago Henle issued Mendelssohn's second Violoncello Sonata, op. 58. Now the first Sonata, op. 45, is available for the first time as Urtext edition with a flawless music text. A preface an...

Felix Mendelssohn Bartholdy wrote three major works for cello and piano, a task he particularly enjoyed since his brother Paul was a cellist. Following the early Variations op. 17 (1829) and the Sonat...

Though only a minor pendant to the great Cello Concerto, Antonín Dvorák's Rondo op. 94 is an effective and entertaining piece that belongs in the standard repertoire of every cellist. Dvorák composed...