Partituras para instrumentos de cuerdas

Pietro Nardini wurde 1722 in Livorno geboren und starb 1793 in Florenz. Er war 1734-40 Schüler Tartinis in Padua und lebte als Violinlehrer und Virtuose in Livorno. 1760 wurde er von Herzog Karl Eugen...

La Montanari has a five-movement plan with a 'double' finale: a finale of normal length is followed by a miniature second finale, like coffee following a dessert. The model for this arrangement may ha...

An 'operatic' concerto full of drama. Wonderfully violinistic throughout and a delight to play for intermediate and virtuoso alike. The vivid ritornellos and extrovert solo episodes makes this a highl...

A wonderful concerto in the galant manner.

Over the beautiful second movement Tartini wrote I know you have no mercy using his secret code. With the outer movements this concerto is a first class representative of the 18th century concerto. Ca...

This Sonata in A major belonging to the 'London' group was published by John Walsh in January 1704 as the opening work in a series of violin sonatas by different composers delivered to subscribers in...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

In this first volume Sonata No. 1, in E minor, opens with a lively movement full of motivic play between violin and continuo. It continues with a fleet corrente-style movement, then a slow movement fo...

It is one of numerous concertos by Vivaldi known to have been played by Anna Maria, the most celebrated of the many remarkable performers produced by the Ospedale della Pietà, the Venetian charitable...

Here is a piece of music that is fun to play, an early work by a composer of the late Dada period and classical jazz. Erwin Schulhoff made his name in the 1920s with piano music inspired by jazz and D...

Im Prinzip ist nur die erste Lage erforderlich, es kommen jedoch verschiedene Spielweisen zur Anwendung, wie Flageolett, Tremolo, Pizzikato, Doppelgriffe mit leeren Saiten, die meistens erst später in...

Das hier wieder vorliegende Konzert erschien 1716/1717 in einem Sammeldruck im Verlag Roger in Amsterdam. Es zeigt in den Ecksätzen die für Vivaldi so typische schwungvolle und energische Melodieführu...