Conciertos estudiantiles

As the 4th part of the Tetratunes Series, Keytunes introduces more difficult keys and shifting techniques. Several pieces are arranged from the classical repertoire.

Concertino in A Minor, Op. 225, 1st to 7th position, composed for Violin and Piano by Franz Drdla.

Edward Elgar's Six Very Easy Pieces Op. 22 in the first position, for violin with piano accompaniment. Suitable for violinists of Grade 2-3 standard.

Miniature Fantasias by L. Portnoff, Russian Fantasia No. 4 E Minor, for Violin with Piano accompaniment.

Fifteen easy miniatures for violin and piano by L. Mendelssohn.

Hubays master piece 'Hejre Kati' for violin and piano.

Der berühmte Bolero für Violine und Klavier arrangiert von Jeno Hubay. Op. 51, Nr. 3

Dedicated to Willem's son Jean.

Russian Fantasia No. 3 in A Minor in 1st position or 1st-3rd position, by L. Portnoff for violin with piano accompaniment.

Russian Fantasia No. 1 in A Minor in 1st or 1st to 3rd position by L. Portnoff for violin with piano accompaniment.

Slavonic Cradle-song for Violin and Piano by Leo Portnoff, for concert use and general performance.

Oscar Rieding's Air Varie Op. 23 No. 3 for violin with piano accompaniment.

Romantic violin pieces from the late nineteenth and early twentieth centuries. Brilliantly written by masters of the instrument, they are designed for players between grade one to three.

Romantic violin pieces from the late nineteenth and early twentieth centuries. Brilliantly written by masters of the instrument, they are designed for players between grade four to seven. Edited by El...

These eight Hungarian dances are of varying degrees of difficulty for the violinist at intermediate to advanced level. Arranged with piano accompaniment.

The edition is part of the ABRSM syllabus (grade 5)

Eine Sammlung in 4 Heften progressiv geordnet - 50 kleine Stücke für Anfänger Band 4: Von Bach bis Weber

Selected and edited by Josef Gingold. Fifteen pieces of medium difficulty, including works by Schumann, Grieg, Mozart and Bach. With piano accompaniment.

At the time, Mozart's genius - recognised at an early age - could only be explained as being God-given. Wolfgang Amadeus and his sister Maria Anna, older by five years, were admired as being 'Wunderki...