Edward Mollenhauer
The Boy Paganini
Transcribed for Violoncello and Piano (Bärenreiter's Concert Pieces)
Edward Mollenhauer
The Boy Paganini
Transcribed for Violoncello and Piano (Bärenreiter's Concert Pieces)
- Formación Violonchelo y piano
- Edición Reducción de piano con partichela(s)
-
Dificultad
- Compositor Edward Mollenhauer
- Editorial Bärenreiter Verlag
- Serie Bärenreiter's Concert Pieces
- Editor Christoph Sassmannshaus
- Nº de pedido BA10694
IVA incluido.,
Más gastos de envío
Descripción:
Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini' and 'The Boy Paganini'.
Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.
'The Boy Paganini' is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.
On the violin (BA10692), the technical requirements call for first to fifth position whereas on the cello (BA10694), the student must be able to play in first to fourth position.
Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin' and 'Early Start on the Cello' respectively in order to master this work.
Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.
'The Boy Paganini' is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.
On the violin (BA10692), the technical requirements call for first to fifth position whereas on the cello (BA10694), the student must be able to play in first to fourth position.
Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin' and 'Early Start on the Cello' respectively in order to master this work.
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