Partituras para instrumentos de viento

The edition 'Klangblumen' by Barbara Heller (originally for piano, ED 20374) is now available for flute too.Each of the 14 pieces has a particular focus, such as a certain interval, a special playing...

With her Suite for flute and piano, the young Frenchwoman Clémence de Grandval established herself as a major French composer of the 19th century. As piano and composition student of Frédéric Chopin a...

Louis Drouet (1792-1873), much admired virtuoso flautist, composer, musical director and opera director, was 'a flautist of truly European standing and sphere of influence'. His method still forms par...

Paul Taffanel (born in Bordeaux on 16 September 1844, died in Paris on 21 November 1908) was solo flutist at the Paris Opéra comique and professor of flute at the Paris Conservatoire. Among the pupils...

This 'Fairy Tale Suite' is a cycle of pieces very varied in style and - like film music - even their titles suggest a story. From an elf prince to a dream and a sea voyage, then on to a (captive?) pri...

The Brazil-based composer Alexandre Eisenberg wrote 'Arquichorinho' as a competition piece for the Brazilian National Flute Association (ABRAF). The music 'has been picked up on the streets of Rio de...

This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken...

This Mazurka de Salon for flute and piano with its delightful elegiac and virtuoso passages is a character piece full of contrasts; moderate in difficulty, it represents a valuable addition to the rep...

In Impulso Jean Guillou regards the flute as a person who appears and asks a short, yet compelling question in front of the public. This question is followed by a statement. And when the question is a...

Im Jahr 2020 komponierte Heucke für jedes Holzblasinstrument eine Sonate. In der Flötensonate wird der bewegliche, helle und brillante Charakter des Instruments deutlich und traditionelle Formen trete...

The four-movement structure of the sonata, as was common in the late basso continuo era, juxtaposes four melodically and rhythmically contrasting themes.

The three sonatas are taken from opus 1, which was published in Augsburg without a date. The composer states in the preface that in composing these sonatas he had paid less attention to learned contra...

Leclair, one of the most important French composers and violinists of the 18th century, left four booklets of 12 sonatas each for violin and basso continuo. The last booklet (1738) contains two sonata...

Leclair, one of the most important French composers and violinists of the 18th century, left four booklets of 12 sonatas each for violin and basso continuo. The last booklet (1738) contains two sonata...

At the beginning of the sonata, the score reads: Sonata a 3 di Quantz / Flauto / Travers: / Cembalo / o / Violino / Basso. The note 'harpsichord o violin' deserves special attention, as it indicates t...

Two sonatas from the middle of the 18th century, musically appealing, recommended as standard literature for flute lessons.

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...