Partituras para flauta de pico

Purcell's "Fantazia in F major" is the magnificent, partly virtuoso chaconne "Three Parts upon a Ground", an artful and at the same time rousing composition. Technically not easy, but extremely effect...

The "Liebesfreud" is entertaining music from Fritz Kreisler's "Old Viennese Dance Styles". Salon Music for Recorders (SATB). It is quite possible to cast multiple voices.

The "Suite in G major" is provided by Purcell without any indication of the instrumentation. In its original key, it is ideal for a recorder quartet or a recorder playing circle (SATB). The movements...

The "Suite in G major" is provided by Purcell without any indication of the instrumentation. In its original key, it is ideal for a recorder quartet or a recorder playing circle (SATB). The movements...

The "Suite in G major" is provided by Purcell without any indication of the instrumentation. In its original key, it is ideal for a recorder quartet or a recorder playing circle (SATB). The movements...

The Chaconne was written on the occasion of the 300th anniversary of the death of Henry Purcell as a "Hommage à Henry Purcell". Melodious original recorder music in Purcell's compositional style.

The "2 Overtures" in the original keys of G minor and G major are a valuable addition to the literature for recorder quartets. Fascinating compositions, exciting music with daring harmonies.

Original von Marais für Violine, Gambe und Continuo geschrieben, liegt die fantastische Komposition perfekt für die Besetzung Sopranblockflöte, Altblockflöte und Basso Continuo. Nicht nur im Original,...

Large, demanding trios. Great music for alto, tenor and bass recorder (Trio VI for ABB). The third voice of this at the same time ingenious and entertaining music was originally written by Hook for th...

Large, demanding trios. Great music for alto, tenor and bass recorder (Trio VI for ABB). The third voice of this at the same time ingenious and entertaining music was originally written by Hook for th...

Large, demanding trios. Great music for alto, tenor and bass recorder (Trio VI for ABB). The third voice of this at the same time ingenious and entertaining music was originally written by Hook for th...

Large, demanding trios. Great music for alto, tenor and bass recorder (Trio VI for ABB). The third voice of this at the same time ingenious and entertaining music was originally written by Hook for th...

Large, demanding trios. Great music for alto, tenor and bass recorder (Trio VI for ABB). The third voice of this at the same time ingenious and entertaining music was originally written by Hook for th...

Large, demanding trios. Great music for alto, tenor and bass recorder (Trio VI for ABB). The third voice of this at the same time ingenious and entertaining music was originally written by Hook for th...

Folkloric lightness is also the dominant character of the present "Banqueting Music for Duke Johan" (german: "Table Music for Duke Johan"), a relaxed and sonorous suite. Fun is guaranteed in this orig...

Da Capo - encore movements for recorder quartet. These are unabridged individual movements that can be played separately and sound very well suited for a recorder quartet, and can quickly become "high...

Da Capo - encore movements for recorder quartet. These are unabridged individual movements that can be played separately and sound very well suited for a recorder quartet, and can quickly become "high...

Da Capo - encore movements for recorder quartet. These are unabridged individual movements that can be played separately and sound very well suited for a recorder quartet, and can quickly become "high...

In 1954, Benjamin Britten received two recorders as a gift from Carl Dolmetsch. His first composition for this instrument was the quartet "Scherzo" published here for the quartet line-up SATB. It is a...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

Hardly any other German composer of the 18th century was as familiar with the French musical style as Telemann. In 1737/38 Telemann undertook a trip to Paris at the invitation of the virtuosos Michel...

The autograph score (originally in E flat major) of this delightful composition refers to the first part as 'Flûte Pastorelle', an instrument about which scholars are unclear. Edgar Hunt asks if it is...