Partituras para flauta

An arrangement of Mozarts 'Andante in C' for flute and orchestra (K315), this arrangement can be played with the accompaniment of C flutes only (with low B). However, the full isntrumentation includin...

This grade 3 arrangement of Mexican Hat Dance will be loads of fun for the players and audience. Opening with a familiar bullfighting fanfare in 4/4, it then switches to the primary tune in a festive...

This hauntingly beautiful melody by J.S. Bach has been arranged for flute choir by James Christensen. This is a perfect selection for an intermediate group of flute players to take to contest or showc...

Composed for the 20th annual convention of the National Flute Association, Los Angeles, California, August 1992.

This arrangement of the Finale from Serenade for String Orchestra, Op. 22, composed in 1875, features the lively combination of Czech folk melodies and dance rhythms that were Dvor? k's hallmark. It i...

This challenging arrangement for flute choir is a wonderful recital selection for an advancing group of flutists. Instrumentation: 6 Standard Flutes, Alto Flute, and Bass Flute.

This is a great ragtime addition to any library. It is a waltz, so the square rhythm of the march-based rags is rounded and smoothed by the waltz feeling, yet the characteristic syncopation permeates...

Transcription: Yvon Rivoal and Georges Lambert

César Cui (1835-1918) 5 kleine Duos Op.56 für Flöte, Violine und Klavier Klavierpartitur Schwierigkeitsgrad: 3 mittelschwer

César Cui (1835-1918) 5 kleine Duos Op.56 für Flöte, Violine und Klavier Schwierigkeitsgrad: 3 mittelschwer

César Cui (1835-1918) 5 kleine Duos Op.56 für Flöte, Violine und Klavier Schwierigkeitsgrad: 3 mittelschwer

César Cui (1835-1918) 5 kleine Duos Op.56 für Flöte, Violine und Klavier Schwierigkeitsgrad: 3 mittelschwer

For Solo Flute, 5 Alto Flutes. Score and parts. Composed 2000. Duration 6:30.

For Solo Flute, 5 Alto Flutes. Score and parts. Composed 2000. Duration 9:30.

Echoes of Sarah is a remembrance of a departed friend, but also a deep exploration of the sonics and tone produced by multiple flutes. In his program notes, Raines explains, for example, Extremes of r...

The composer's exploration of the capabilities of a group of like instruments encompasses the full range of tone, texture, and tempo in a multi-faceted work. Solo passages feature individuals, while o...

More often than not, composers will take inspiration from those who have come before, whether 300 years or 30 years before. Raines unabashedly takes his cue from both Stravinsky's Pulcinella and Brian...