Novedades corales

Star Of God, written by Eric Coates with words by Fred E Weatherly, arranged for voice and piano in the key of C Major.

Stars, And A Crescent Moon, composed by Eric Coates with words by Phyllis Black, arranged for voice and piano in the key of G Major.

Summer Afternoon, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of Bb Major.

Summer Afternoon, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of C Major.

Summer Afternoon, written by Eric Coates with words by Royden Barrie, arranged for voice and piano in the key of Eb Major.

Sweet-And-Twenty, written by Eric Coates with words by William Shakespeare, arranged for voice and piano in the key of C Major.

Sweet-And-Twenty, written by Eric Coates with words by William Shakespeare, arranged for voice and piano in the key of Eb Major.

The Bird's Philosophy, written by Alan Murray with words by Charles G Mortimer, arranged for voice and piano.

Marienwürmchen (Ladybird) No.13 from Volks-Kinderleider WoO 31, written by Johannes Brahms and arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

Wiegenlied (Lullaby) Op. 98 No. 2, D. 498, written by Franz Schubert and arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

Zwei Braune Augen (Two Brown Eyes) Op.5 No. 1, written by Edvard Grieg and arranged by Heidi Pegler for low voice and piano accompaniment in digital sheet music format.

Marienwürmchen (Ladybird) No.13 from Volks-Kinderleider WoO 31, written by Johannes Brahms and arranged by Heidi Pegler for high voice and piano accompaniment in digital sheet music format.

Marienwürmchen (Ladybird) No.13 from Volks-Kinderleider WoO 31, written by Johannes Brahms and arranged by Heidi Pegler for high voice and piano accompaniment in digital sheet music format.

Zwei Braune Augen (Two Brown Eyes) Op.5 No. 1, written by Edvard Grieg and arranged by Heidi Pegler for high voice and piano accompaniment in digital sheet music format.

Ave Maria (from 'Otello'), as recorded by Maria Callas. Arranged for piano and voice in digital sheet music format.

Casta Diva (from 'Norma'), as recorded by Maria Callas. Arranged for piano and voice in digital sheet music format.

J'ai Perdu Mon Eurydice (from 'Orphee et Eurydice'), as recorded by Maria Callas. Arranged for piano and voice in digital sheet music format.

Les Tringles Des Sistres Tintaient (from 'Carmen'), as recorded by Maria Callas. Arranged for piano and voice in digital sheet music format.

Porgi Amor (from 'Le Nozze di Figaro'), as recorded by Maria Callas. Arranged for piano and voice in digital sheet music format.

Vissi D'Arte (from 'Tosca'), as recorded by Maria Callas. Arranged for piano and voice in digital sheet music format.

Este cancionero contiene primeras publicaciones de canciones de Luise Greger que se han descubierto recientemente. El piano siempre está dirigido de forma independiente, ilustrado y responsable del es...

Prefacio: Todo empezó con La reina de picas en 1887, cuando Modest Tchaikovsky se propuso escribir un libreto de ópera basado en la famosa novela de Alexander Pushkin de 1833 para el más bien insignif...

Las Dos canciones de Thea Musgrave fueron escritas para barítono y piano sobre textos de Ezra Pound.

Los Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco representan un ejemplo de la canción de cámara italiana de principios del siglo XX. A partir de textos de Francesco Redi, e...

Los Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco representan un ejemplo de la canción de cámara italiana de principios del siglo XX. A partir de textos de Francesco Redi, e...