Partituras para orquesta de viento

Be prepared for approximately 95 seconds of bluesy, wiggly cuteness in which various sections of the band function as both the ants and the 'stomper!' Incorporating brass flutter tongue, two familiar...

Be prepared for approximately 95 seconds of bluesy, wiggly cuteness in which various sections of the band function as both the ants and the 'stomper!' Incorporating brass flutter tongue, two familiar...

Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem si...

Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem si...

Keep those hackers and slackers engaged with this bluesy rock original. The flatted 3rds and 7ths add the blues flavor, and it shifts between the major and minor mode, but that won't be any problem si...

'Are those pesky alternate saxophone fingerings giving you the blues? Wash them away with some 'Saxophone Stew'! Who knew the whole band could have fun learning new fingerings? (2:00)'

'Are those pesky alternate saxophone fingerings giving you the blues? Wash them away with some 'Saxophone Stew'! Who knew the whole band could have fun learning new fingerings? (2:00)'

'Are those pesky alternate saxophone fingerings giving you the blues? Wash them away with some 'Saxophone Stew'! Who knew the whole band could have fun learning new fingerings? (2:00)'

Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some sol...

Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some sol...

Treat your ensemble and audience to sophisticated-sounding, yet quite playable blues for young band. Jazz-voiced chords and a cool bluesy groove give this piece a very appealing sound. Add in some sol...

This 12-bar blues introduces style and articulation common in jazz music while keeping the range and rhythms well within reach of younger players. With cool percussion grooves, syncopation, simple chr...

This 12-bar blues introduces style and articulation common in jazz music while keeping the range and rhythms well within reach of younger players. With cool percussion grooves, syncopation, simple chr...

This 12-bar blues introduces style and articulation common in jazz music while keeping the range and rhythms well within reach of younger players. With cool percussion grooves, syncopation, simple chr...

Following the overwhelming success of Pop Tune Variations and Whistling Kettle, Koen Pletinckx presents you with Beat, Blues and Swing, a suite in three parts. In this work he uses his easy and light...

The 'J. Geils Band', from Massachusetts in the USA, played blues-rock in the 1970s, but by the beginning of the 1980s had evolved their sound to a somewhat more pop style. And not without success: the...

This one ROCKS! An infectious funky blues-rock tune, CYBERSPACE BLUES is a chart your band will want to play again and again. James L. Hosay's outstanding percussion writing and jazzy harmonies put th...

Jazzy fun for first year players! Easy swing style and attention to articulation makes this piece fun for kids and a delight for your audience!

Catch the Blues begins with a statement of the theme in a blues style. After a drum feature, the theme is repeated and then performed in a Dixieland variation. The lively character and jazzy style of...

Marching Blues was written in the blues and swing-jazz style of the great big bands. It is an ideal show march that can be used for encores, popular performances, family concerts and much more. It is...

Why should rock musicians have all the fun? Now your band can experience the thrill of playing a piece in a classic 12-bar blues style. Many players are given the chance to show off their skills as a...

From the beginning of the Middle Ages, we have known performance practices in which the duration of the notes can differ from the actual notation. In some cases, binary written melodies were performed...