Partituras para formaciones orquestales

ICB 19 (1888, rev. 1919) Primera edición publicada Margault [mismo sello que Édition mutuelle], París, Francia, 1902 Orquestación solo piano con 2 flautas, flautín, oboe, 2 clarinetes si bemol, 2 fago...

Extraído de La habanera: Drame lyrique en trois actes (poème et musique de R. Laparra) Dedicatoria: À Monsieur et Madame Albert Carré. Albert Carré (1852-1938) y Marguerite Giraud-Carré (1880-1947) fu...

Prólogo En Noruega se llama Fossegrim, en Suecia Strömkarlen o Näcken, y en Alemania esta criatura legendaria se conoce como Nöck: hablamos de un espíritu o trol que vive en las cascadas, hechiza a lo...

COMENTARIO Después del gran éxito de la Obertura periódica nº 20, no es de extrañar que Robert Bremner (c.1713-1789) quisiera seguir publicando obras de Niccolò Piccinni (Piccini) (1728-1800). De hech...

Petr Iljitsch Tschaikowsky, whom Igor Stravinsky charakterized as being 'deeply national', represents the culmination of 'Russion Classical music' of the late-eighteenth and nineteenth centuries. Prob...

With the publication of the critical commentary this edition of the 6th Symphony is now complete. It provides detailed information about the circumstances in which the work was written, documentation...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

La única ópera propiamente dicha de Henry Purcell, Dido y Eneas, es un magnífico ejemplo de la música barroca inglesa, con animadas danzas y apasionadas secciones de aria que demuestran la magistral h...

formerly "Concerto grosso No. 26

Ballettmusiken Nr. 2 und Nr. 9 "Rosamunde" op. 26 D 797

Of all the leading composers of the 18th century, only Francesco Geminiani (1687-1762) is lacking a complete critical edition of his music and writings. Although held to be the equal of Corelli in his...

Geminiani’s Op. 3 Concertos have come down to us in no fewer than four different versions. The first is the one published by Walsh in 1732. The Amsterdam music publisher Michel-Charles Le Cène publish...

In the second half of the 19th century, in Italy, melodrama was still the most practised musical genre, but space for instrumental production began to grow, especially thanks to the “Quartet societies...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.

Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The piano reduction (HN 610) is av...

Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The edition for violin and piano (...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts are available exclusively from Breitkopf & Härtel.