Partituras para formaciones orquestales

orch 9'

Already published twice in print during Bach's lifetime: an important document of the early classical period, a historical turning point with an outlook on musical development well into the 19th centu...

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Original cadenzas in EB 5940 36 cadenzas to own piano concertos

If 'several music lovers and music directors consider this mass to be genuine and well Mozartian' (original statement Ludwig Ritter von Köchel), we want to do the same with good reason. '

Mendelssohn composed his concert piece op. 113 on a (single) December day in 1832 for the clarinetist friends Heinrich and Carl Baermann with the humorous subtitle 'Ein großes Duett für Dampfnudel ode...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

A text-critical edition 'according to the sources' of the work first published by Breitkopf & Härtel in 1885.

In addition to a preface and a detailed critical report, our score also contains Schubert's extensive piano sketch, which allows important conclusions to be drawn about the creation of the 'Unfinished...

The new edition is based on the autograph and contemporary voice material as authentic sources.

Choral score, piano reduction and libretto are usable for both versions. Sigismund Ritter von Neukomm completed Mozart's Reuqiem in 1821 with the liturgically necessary 'Libera me, Domine'.