Partituras para formaciones orquestales

Franz Joseph Haydn (1732-1809) wrote Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45; 'Abschiedssinfonie' in German), the most well-known of his 'Sturm und Drang' symphonies, in 1772, and it is...

Franz Joseph Haydn (1732-1809) wrote Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45; 'Abschiedssinfonie' in German), the most well-known of his 'Sturm und Drang' symphonies, in 1772, and it is...

Symphony No. 44 was completed in 1772 by Franz Joseph Haydn (1732-1809). Rumored that the composer requested the third movement be played at his funeral, the work is popularly known as "Trauersinfonie...

Symphony No. 44 was completed in 1772 by Franz Joseph Haydn (1732-1809). Rumored that the composer requested the third movement be played at his funeral, the work is popularly known as "Trauersinfonie...

Tradicionalmente atribuida a Franz Joseph Haydn, la SINFONÍA DE JUGUETE, Hob.II: 47, es conocida por su caprichoso surtido de instrumentos de juguete. Su autoría ha sido objeto de controversia durante...

Tradicionalmente atribuida a Franz Joseph Haydn, la SINFONÍA DE JUGUETE, Hob.II: 47, es conocida por su caprichoso surtido de instrumentos de juguete. Su autoría ha sido objeto de controversia durante...

The three-act opéra comique Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) was written in 1831, and is one of Ferdinand Hérold's (1791-1833) most popular works during the 19th century. It...

HÄNSEL UND GRETEL, un Märchenspiel (ópera de cuentos de hadas) en tres actos, fue escrita por Engelbert Humperdinck (1854-1921) en 1890-1892, con libreto de su hermana Adelheid Wette. Humperdinck come...

HÄNSEL UND GRETEL, un Märchenspiel (ópera de cuento de hadas) en tres actos, fue escrita por Engelbert Humperdinck (1854-1921) en 1890-1892, con libreto de su hermana Adelheid Wette. Humperdinck comen...

French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton...

French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton...

Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...

Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist...

Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of wh...

Anatoly Lyadov (1855-1914), one of the Russian Five, wrestled with doubt in his own creative talent. Exclusively writing small-scale works, he explored the folk music of his native country, much of wh...

Anatoly Lyadov (1855-1914) compuso KIKIMORA, Op. 63 en 1909. Basada en la figura familiar de la mitología eslava, la siguiente descripción de Russian Folk-Tales of I.P. Sakharov (traducida por Carl Si...

Anatoly Lyadov (1855-1914) compuso KIKIMORA, Op. 63 en 1909. Basada en la figura familiar de la mitología eslava, la siguiente descripción de Russian Folk-Tales of I.P. Sakharov (traducida por Carl Si...

EL LAGO ENCANTADO, Op. 62, es un poema tonal de Anatoly Lyadov (1855-1914). Subtitulado "escena de cuento de hadas", es probablemente su obra más célebre por su delicada partitura y su evocadora tranq...

Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert...

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...

Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840. Putting it through a series of revisions, he dedicated the concerto to his stud...

La idea de TOTENTANZ, S. 126 (Danza de los muertos) fue concebida por Franz Liszt (1811-1886) en 1838. Le siguieron dos versiones, la primera terminada en 1853 y la segunda en 1864. La llamativa pieza...

La idea de TOTENTANZ, S. 126 (Danza de los muertos) fue concebida por Franz Liszt (1811-1886) en 1838. Le siguieron dos versiones, la primera terminada en 1853 y la segunda en 1864. La llamativa pieza...

Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2 (1847) is b...

Franz Liszt (1811-1886) escribió 19 Rapsodias húngaras para piano como una forma de incorporar la música de su juventud a sus composiciones, y la Rapsodia húngara nº 2 en do sostenido menor, S.244/2 (...