Partituras para formaciones orquestales

Set of parts for John Rutter's enduringly popular setting of William Sharp's uplifting words. Not compatible with the upper-voice or unsion versions.

Full score for John Rutter's enduringly popular setting of William Sharp's uplifting words. Not compatible with the upper-voice or unison versions.

This is a beautiful, sensitive arrangement of the African-American spiritual and folk hymn Oh, watch the stars. The text reflects on the beauty of creation, and alternative verses by David Warner cele...

This is a beautiful, sensitive arrangement of the African-American spiritual and folk hymn Oh, watch the stars. The text reflects on the beauty of creation, and alternative verses by David Warner cele...

4 Kirchenkompositionen (englisch/deutsch), Anhang. Urtext der Hallischen Händel-Ausgabe. Soli, Gemischter Chor, Kammerorchester - Partitur Leinen; Urtextausgabe; Gesamtausgabe

Urtext der Hallischen Händel-Ausgabe. Kritischer Bericht zu Anthems für Cannons I-III (englisch). Soli, Gemischter Chor, Kammerorchester - Partitur; Urtextausgabe; Gesamtausgabe

Urtext der Hallischen Händel-Ausgabe. Soli, Gemischter Chor, Kammerorchester - Partitur Leinen; Urtextausgabe; Gesamtausgabe

La gran "Misa en fa menor" de Bruckner es una de las obras más importantes del compositor y de la música coral del siglo XIX en general. De manera única, el compositor logra aquí penetrar musicalmente...

La gran "Misa en fa menor" de Bruckner es una de las obras más importantes del compositor y de la música coral del siglo XIX en general. De manera única, el compositor logra aquí penetrar musicalmente...

En 1892, Dvorák tuvo el honor de recibir un encargo de Nueva York para componer una cantata festiva con motivo del cuarto centenario del descubrimiento de América por Cristóbal Colón. En poco tiempo,...

En 1892, Dvorák tuvo el honor de recibir un encargo de Nueva York para componer una cantata festiva con motivo del cuarto centenario del descubrimiento de América por Cristóbal Colón. En poco tiempo,...

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“, schreibt Robert Schumann im Januar 1851 - und das, obwohl er bis dato kaum als Komponist geistlicher Musik...

Mendelssohn described his 1840 work Lobgesang as “a symphony for chorus and orchestra”. It is now firmly established in the standard repertoire of the major oratorio choirs. For many choirs, Lobgesang...

Mendelssohn's St. Paul with just seven instead of the usual 18 wind instruments? Thanks to this arrangement for chamber orchestra, a performance with smaller forces is now possible, and presents an at...

Mendelssohn's oratorio Elias (Elijah) was composed at a time when large choral societies were formed and music festivals involving hundreds of singers were all the fashion. 271 singers and 125 orchest...

Schubert's Mass in E flat major is the last of his six settings of the Ordinarium Missae and at the same time his most important work of this genre. The Mass is full of varied drama and confessional e...

But, dear Beethoven, what have you done again? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C...