Partituras para formaciones orquestales

A programmatic piece based on the changing character of that vast inland sea, Lake Michigan, this original composition will remind the listener of the folk-based tunes of Holst. Written for a school l...

A programmatic piece based on the changing character of that vast inland sea, Lake Michigan, this original composition will remind the listener of the folk-based tunes of Holst. Written for a school l...

As the title suggests, a driving, rhythmic pulse permeates throughout this contemporary original selection by Richard Meyer. The piece incorporates two diverse moods - a highly rhythmic first section...

As the title suggests, a driving, rhythmic pulse permeates throughout this contemporary original selection by Richard Meyer. The piece incorporates two diverse moods - a highly rhythmic first section...

This tribute to Copeland and to the Scottish/Irish influence on American folk culture flows smoothly and seamlessly from one section to the other, while painting a picture of early America life for th...

This tribute to Copeland and to the Scottish/Irish influence on American folk culture flows smoothly and seamlessly from one section to the other, while painting a picture of early America life for th...

This tribute to Copeland and to the Scottish/Irish influence on American folk culture flows smoothly and seamlessly from one section to the other, while painting a picture of early America life for th...

Charming! This light and flowing arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

Charming! This light and flowing arrangement maintains the rhythmic drive characteristic of Slavic folk music. (4:30)

A colorful depiction of the sounds of New Mexico, the 'Land of Enchantment!' Commissioned for the Albuquerque Youth Symphony for their performance at the 2008 National ASTA Conference, this piece comb...

A colorful depiction of the sounds of New Mexico, the 'Land of Enchantment!' Commissioned for the Albuquerque Youth Symphony for their performance at the 2008 National ASTA Conference, this piece comb...

Your students will enjoy playing this traditional Scottish air, beautifully arranged for string orchestra by Michael Hopkins. This is a great piece for developing expression and legato bow changes. Th...

Your students will enjoy playing this traditional Scottish air, beautifully arranged for string orchestra by Michael Hopkins. This is a great piece for developing expression and legato bow changes. Th...

The traditional French folk song in a minor key. Great program music and with audience appeal. The piece will challenge the students listening skills.

The traditional French folk song in a minor key. Great program music and with audience appeal. The piece will challenge the students listening skills.

The traditional French folk song in a minor key. Great program music and with audience appeal. The piece will challenge the students listening skills.

Well written for all parts. Sensitive arrangement that will challenge the group. All ages (Elementary School High School) will find it attractive and appealing. Very playable!

Well written for all parts. Sensitive arrangement that will challenge the group. All ages (Elementary School High School) will find it attractive and appealing. Very playable!

Well written for all parts. Sensitive arrangement that will challenge the group. All ages (Elementary School High School) will find it attractive and appealing. Very playable!

Middle School/High School. A legato melody is found in the violins. Harmony parts are straightforward with lovely modal harmonies. A moderate tempo throughout.

Middle School/High School. A legato melody is found in the violins. Harmony parts are straightforward with lovely modal harmonies. A moderate tempo throughout.

Middle School/High School. A legato melody is found in the violins. Harmony parts are straightforward with lovely modal harmonies. A moderate tempo throughout.

This piece was written to enable students to understand the feel of 6/8 and 3/4 being used in alternate bars. Like all folk music used for dance, the beat is extremely important, and must be 'felt in...

This piece was written to enable students to understand the feel of 6/8 and 3/4 being used in alternate bars. Like all folk music used for dance, the beat is extremely important, and must be 'felt in...

This piece was written to enable students to understand the feel of 6/8 and 3/4 being used in alternate bars. Like all folk music used for dance, the beat is extremely important, and must be 'felt in...