Partituras para formaciones orquestales
Wolfgang Amadeus Mozart (1756-1791) escribió originalmente su CONCERTO PARA FLAUTA en do mayor, K. 314/274k, en 1777. Un año más tarde, adaptó la obra para crear su CONCERTO PARA FLAUTA Nº 2 en Re, K....
Wolfgang Amadeus Mozart (1756-1791) escribió originalmente su CONCERTO PARA FLAUTA en do mayor, K. 314/274k, en 1777. Un año más tarde, adaptó la obra para crear su CONCERTO PARA FLAUTA Nº 2 en Re, K....
- Flauta travesera y orquesta
- Partichela de flauta travesera
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Escrito por Wolfgang Amadeus Mozart (1756-1791) entre 1784 y 1787, el Concierto para trompa nº 3 en mi bemol, K. 447, la obra fue escrita probablemente para el trompista Joseph Leutgeb, cuyo nombre se...
Escrito por Wolfgang Amadeus Mozart (1756-1791) entre 1784 y 1787, el Concierto para trompa nº 3 en mi bemol, K. 447, la obra fue escrita probablemente para el trompista Joseph Leutgeb, cuyo nombre se...
- Trompa y orquesta
- Partichela de trompa
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the...
Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the...
- Violín y orquesta
- Partichela de violín
- Edwin F. Kalmus
-
disponible en 3-4 semanas
El tercer movimiento rondó del VIOLIN CONCERTO NO. 2 de Niccolò Paganini debe su apodo "La Clochette" o "La Campanella" ("Campanita") a la campanita que suena antes de cada repetición del tema del ron...
El tercer movimiento rondó del VIOLIN CONCERTO NO. 2 de Niccolò Paganini debe su apodo "La Clochette" o "La Campanella" ("Campanita") a la campanita que suena antes de cada repetición del tema del ron...
- Violín y orquesta
- Partichela de violín
- Gregory Vaught
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Composed in the summer of 1909, Rachmaninoff's third Concerto for Piano was premiered in November of that year with the composer as soloist, though he was forced to practice the work on silent keyboar...
Composed in the summer of 1909, Rachmaninoff's third Concerto for Piano was premiered in November of that year with the composer as soloist, though he was forced to practice the work on silent keyboar...
- Piano y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Originally intended for solo violin and orchestra, Nicolai Rimsky-Korsakov (1844-1908) later determined that the five Spanish folk melodies used in each of the movements of his Capriccio Espagnol woul...
Originally intended for solo violin and orchestra, Nicolai Rimsky-Korsakov (1844-1908) later determined that the five Spanish folk melodies used in each of the movements of his Capriccio Espagnol woul...
- Orquesta
- Partitura general y partichelas
- Stuart S. Serio Clinton F. Nieweg
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Un joven Gioacchino Rossini (1792-1868) compuso Variazzioni di clarinetto (Variaciones para clarinete y pequeña orquesta en do mayor) hacia 1809. La obra fue editada por Amadeo Cerasa. Instrumentación...
Un joven Gioacchino Rossini (1792-1868) compuso Variazzioni di clarinetto (Variaciones para clarinete y pequeña orquesta en do mayor) hacia 1809. La obra fue editada por Amadeo Cerasa. Instrumentación...
- Clarinete y orquesta
- Partichela de clarinete solo
- Amadeo Cerasa
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...
Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...
- Orquesta
- Partichela de flauta travesera
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...
Camille Saint-Saëns (1835-1921) wrote this Tarantelle (Tarantella), Op. 6 for flute, clarinet, and piano in 1857, and the salon piece showcases the composer's mature style despite his young age, which...
- Orquesta
- Partichela de clarinete
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Camille Saint-Saëns compuso ROMANCE en fa mayor, Op. 36 en 1874, para trompa o violonchelo con orquesta o piano. La versión para trompa y piano se estrenó el 14 de febrero de 1874 en París con Salle H...
Camille Saint-Saëns compuso ROMANCE en fa mayor, Op. 36 en 1874, para trompa o violonchelo con orquesta o piano. La versión para trompa y piano se estrenó el 14 de febrero de 1874 en París con Salle H...
- Trompa y orquesta
- Partichela de trompa
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Ca...
Following the death of his mother in 1888, a depressed Camille Saint-Saëns (1835-1921) decided to take a trip to his favorite destination, North Africa, travelling to Ceylon, then to Alexandria and Ca...
- Piano y orquesta
- Partichela de piano
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The Symphony No. 3 in C minor, popularly known as the 'Organ Symphony', was completed in 1886 at what could be considered the artistic peak of Saint-Saens' career. The composer said of the work, 'I ga...
The Symphony No. 3 in C minor, popularly known as the 'Organ Symphony', was completed in 1886 at what could be considered the artistic peak of Saint-Saens' career. The composer said of the work, 'I ga...
- Órgano y orquesta
- Partitura general y partichelas
- Nancy M. Bradburd
- Edwin F. Kalmus
-
disponible en 3-4 semanas
En 1875, Camille Saint-Saëns (1835-1921) creó una innovadora estructura en cuatro partes para su CONCERTO PARA PIANO NO. 4 EN DO MENOR, OP. 44. Dedicando la obra a Anton Door, el compositor la estrenó...
En 1875, Camille Saint-Saëns (1835-1921) creó una innovadora estructura en cuatro partes para su CONCERTO PARA PIANO NO. 4 EN DO MENOR, OP. 44. Dedicando la obra a Anton Door, el compositor la estrenó...
- Piano y orquesta
- Partichela de piano
- Nancy M. Bradburd
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...
- Orquesta
- Partichela de piano
- Diemer,
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...
Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...
- Violín y orquesta
- Partichela de violonchelo
- Rudolf Metzmacher
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...
Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...
Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de viola
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de violonchelo
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de violín 1
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de violín 2
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still...
Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still...
- Violín y orquesta
- Partichela de violín
- Edwin F. Kalmus
-
disponible en 3-4 semanas
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Partituras para formaciones orquestales
Totalmente orquestal: con más de 50.000 partituras para orquesta de cuerda, de cámara, de salón y sinfónica, ¡encontrará justo lo que necesita para su próximo concierto! Aquí no sólo le ofrecemos obras clásicas originales como parte o ediciones de partituras, sino también arreglos de títulos conocidos de jazz, pop, rock, musicales y películas, así como ediciones de partituras con instrumentos solistas, voz o coro.