Partituras para formaciones orquestales

The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...

This key work offers a convoluted (and at the same time incomplete) source material. The autograph is lost.

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...

Hauschild's new edition is based on all important primary sources: autograph, first printing of parts, score copies supervised by Beethoven, and finally the first printing of the score.

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

With sovereign expertise, Hauschild manages to combine source criticism and the requirements of performance practice, while also keeping the Critical Report (included in the score, of course) concise.

score and study score with the text by Loriot

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Märker's Urtext edition is based on the first printing of the score in 1835.

With Cesar Franck's only symphony, a central repertoire work of the late Romantic period finds its way into the new orchestral editions that Breitkopf & Härtel has placed under the heading of 'source...

The fact that the Sibelius Symphony, which is now performed most often, provoked controversial aesthetic reactions after its first performances in Finland at the time seems almost inconceivable today.

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Immediately after the 12 string symphonies (1821-1823), the 15-year-old Felix Mendelssohn Bartholdy wrote a 'Sinfonia XIII' in C minor in March 1824.

The new edition is based on the well-known piano reduction by the composer and organist Ernst Friedrich Richter, which Breitkopf & Härtel published in Leipzig in 1845. At that time, the publisher had...

UA Brussels, April 25, 1969

UA Hamburg, June 4, 1989

Premiere Frankfurt, November 24, 1991

Premiere Winterthur, September 30, 2000 CD Gustav Rivinius (violoncello), Junge Deutsche Philharmonie, cond. Hans Zender CD Dialoge ('Allianz Kulturstiftung')

With the 5 study scores 'Schumann: Complete Symphonies' a large edition project comes to an end. The slipcase contains the new editions (1993-2001) of the four symphonies according to the last hand ve...

After Schumann, now Brahms: the symphonies in a slipcase The score of the edition Johannes Brahms - Sämtliche Werke is still authoritative today - especially since the most important orchestral, piano...

The authentic new edition: text-critical and complete available for purchase (only edition with choral score and a historically legitimized piano reduction by Josef Zubaty)

With the new Breitkopf Urtext orchestral material, the 'Prague' symphony will sound somewhat different.

The premiere of 'Luonnotar' took place on September 10, 1913 at the Shire Hall in Gloucester. Luonnotar' is not only Sibelius' most important work for Ackté, it is one of his most important works ever...