Partituras para formaciones orquestales

fast down bows alternating with fast up bows and 'zigzag' bowing. It is also played legato in one bow, requiring the players to save the bow and use it evenly. The piano part covers any missing parts,...

5/4 is not a time signature that appears frequently in student repertoire, yet it gives an exciting, driving force to the music. This piece requires an edgy 'off the string' style of bowing in the acc...

This is a great, fun way to explore some interesting rhythmic and bowing techniques in major and minor keys. The first violins are required to use low first fingers, while the other parts are very str...

The rhythms used in this piece are repetitive, so will be easily learned and recognized in the future. The feel of a canon is utilized in each four-bar phrase and the melody is shared right around the...

This piece is perfect for a 'Grand Entrance' in a school parade, or the opening of a concert. Dynamics should be carefully observed and the melody line well projected as it changes voice. The piano pa...

Written as the grand finale for a combined school string festival, this piece is dedicated to the Junior String players of Somerville House Girls' School, Queenwood School for Girls, Sydney and Brisba...

This piece features pretty melodies, using slurs and dotted rhythms, while teaching bow division between half notes and quarter notes. The music is not difficult, but students should be encouraged to...

For the past 15 years, Junior and Training Strings at Somerville House School rehearse on a Wednesday morning. Hence, the name. This piece features string crossing and block rhythms with nice harmonie...

This bright, fun piece features low 2nd fingers and D sharps on the D string for 2nd violins and violas. It also uses pizzicato. The middle section has a contrasted legato melody, using minor tonality...

Catchy from the opening bars, the piano part adds interest in this piece and will cover the bass if not available. It is rhythmically interesting, using syncopation and accents. The bowing and rhythms...

Every teacher knows the dangers of pizzicato and the need to train the internal metronome to resist the temptation to rush. This very simple piece is pizzicato throughout. It begins in unison, so anyo...

Although this dance is energetic, it mustn't begin too quickly, to allow for the accelerando in the final section. However, when the ensemble is confident with the rhythms, a more adventurous tempo co...

Eighth notes and quarter notes are used in different rhythmic combinations. Re-takes and hand coordination are developed. The tempo can be taken very steadily until the rhythms are able to be recogniz...

Contemporary bowing techniques are explored in this spooky piece. Sul ponticello, Bartók pizzicato, sul tasto, tremolo and Psycho-style glissandi combine to make this work one which is sure to be a st...

En esta espeluznante pieza se exploran técnicas de arco contemporáneas. Sul ponticello, Bartók pizzicato, sul tasto, tremolo y glissandi de estilo Psycho se combinan para hacer de esta obra una de las...

The name says it all - a delectable favorite that's just as accessible as it is yummy! Skips, steps, and jumps are carefully used to ensure this will be a quick put-together for your concert.

This adventurous piece opens with an edgy 'at the nut' bow stroke and features syncopated rhythms with a smoother melodic line in the cello and violin parts.

Esta pieza aventurera se abre con un golpe de arco nervioso "en la nuez" y presenta ritmos sincopados con una línea melódica más suave en las partes de violonchelo y violín. (2:23)

A very straightforward piece in triple time, which features easy, legato bowing and attractive melodic lines. A lullaby dedicated to the composer's beautiful granddaughter, born on Mother's Day 2009.

Una pieza muy sencilla en compás triple, que presenta un arco fácil y legato y atractivas líneas melódicas. Una nana dedicada a la preciosa nieta del compositor, nacida el Día de la Madre de 2009.

This piece features upbeats, pizzicato, tremolo, and sul ponticello bowing to depict the falling snowflakes and the shivering cold of a Swedish winter.

Esta pieza se compone de ritmos ascendentes, pizzicato, trémolo y arco sul ponticello para representar la caída de los copos de nieve y el frío estremecedor de un invierno sueco.

The opening of this piece requires short, energetic bows. These passages are contrasted with more lyrical melodies and the bass line is essential for maintaining the momentum and vitality. It has a sl...