Christoph Graupner
Konzert B-Dur GWV 340
für Fagott, Streicher und Basso continuo (Stimmen)
Ver
PDF
Recomendar
Recomendar artículo
Christoph Graupner
Konzert B-Dur GWV 340
für Fagott, Streicher und Basso continuo (Stimmen)
- Formación Fagot, orquesta de cuerda y bajo continuo
- Edición Set de partichelas
-
Dificultad
- Compositor Christoph Graupner
- Adaptador Ursula Kramer Florian Heyerick
- Editorial Christoph Graupner Gesellschaft
- Nº de pedido GRM-CB-GE-340-02
IVA incluido.,
Más gastos de envío
disponible en 3-4 semanas
Descripción de la:
Parts , Stimmen of Concerto in Bb Major GWV 340 for Bassoon, Strings and Basso continuo
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument.
The main focal point of the Concerto in Bb major GWV 340 is its final movement. Significant not only in terms of quantity but also quality, it is designed as a Da capo aria in which the solo instrument dominates with a clearly contoured theme – and, depending on the performer’s tempo choice, can shine accordingly. This movement is preceded by two different movements in two different moods, with the bassoon proving itself to be "first among equals”. Specifically, the opening movement, a swaying Siciliano at a moderate tempo, is dominated by the solo instrument’s permanently changing roles, that is, supporting the Basso continuo group on the one hand and taking on soloistic tasks, mostly in the form of arpeggios, on the other.
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument.
The main focal point of the Concerto in Bb major GWV 340 is its final movement. Significant not only in terms of quantity but also quality, it is designed as a Da capo aria in which the solo instrument dominates with a clearly contoured theme – and, depending on the performer’s tempo choice, can shine accordingly. This movement is preceded by two different movements in two different moods, with the bassoon proving itself to be "first among equals”. Specifically, the opening movement, a swaying Siciliano at a moderate tempo, is dominated by the solo instrument’s permanently changing roles, that is, supporting the Basso continuo group on the one hand and taking on soloistic tasks, mostly in the form of arpeggios, on the other.
Los clientes han valorado este artículo:
Christoph Graupner Gesellschaft
Karolinplatz 5
64289
Darmstadt
Deutschland
alle-noten.de: Partituras desde 1969
Desde 1969, más de 500.000 clientes confían en nosotros. Con una enorme selección de más de 1.000.000 de partituras, somos uno de los mayores proveedores de Europa. Gracias a nuestro gran stock, a menudo podemos enviar partituras en 24 horas. Sea cual sea la partitura que busque: ¡está en el lugar correcto!
Atentamente, Stefanie Reichert
Responsable de atención al cliente
