Christoph Graupner
Konzert C-Moll GWV 307
für Fagott, Streicher und Basso continuo (Klavierauszug)
Ver
PDF
Recomendar
Recomendar artículo
Christoph Graupner
Konzert C-Moll GWV 307
für Fagott, Streicher und Basso continuo (Klavierauszug)
- Formación Fagot, orquesta de cuerda y bajo continuo
- Edición Reducción de piano
-
Dificultad
- Compositor Christoph Graupner
- Adaptador Ursula Kramer Florian Heyerick
- Editorial Christoph Graupner Gesellschaft
- Nº de pedido GRM-CB-GE-307-03
IVA incluido.,
Más gastos de envío
disponible en 3-4 semanas
Descripción de la:
Piano reduction , Klavierauszug of Concerto in C minor Bb GWV 307 for Bassoon and Piano - with seperate bassoon part
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument.
The Concerto in C minor GWV 307 holds a special place in Graupner’s concerto output for bassoon. Besides being the only one in a minor key – in general, a rare occurence in concertos from that period – it also dispenses with the three-movement pattern that Vivaldi developed in his concertos and was generally adopted by German composers as well. Given its tempo indications slow – fast – slow – fast and overall harmonic scheme (the third movement is in the relative major or minor key), Graupner's C minor concerto is much more reminiscent of the comparatively strict church sonata of the time. It also comprised four movements and, like the concerto form, was also an "invention" from Italy. Once again, Graupner turns away from standard procedures to experiment: in this case, he makes a basic chamber music pattern the backbone of a concerto.
Among his solo concertos, the four works for solo bassoon are particularly significant: he did not assign more soloistic tasks to any other instrument.
The Concerto in C minor GWV 307 holds a special place in Graupner’s concerto output for bassoon. Besides being the only one in a minor key – in general, a rare occurence in concertos from that period – it also dispenses with the three-movement pattern that Vivaldi developed in his concertos and was generally adopted by German composers as well. Given its tempo indications slow – fast – slow – fast and overall harmonic scheme (the third movement is in the relative major or minor key), Graupner's C minor concerto is much more reminiscent of the comparatively strict church sonata of the time. It also comprised four movements and, like the concerto form, was also an "invention" from Italy. Once again, Graupner turns away from standard procedures to experiment: in this case, he makes a basic chamber music pattern the backbone of a concerto.
Los clientes han valorado este artículo:
Christoph Graupner Gesellschaft
Karolinplatz 5
64289
Darmstadt
Deutschland
alle-noten.de: Partituras desde 1969
Desde 1969, más de 500.000 clientes confían en nosotros. Con una enorme selección de más de 1.000.000 de partituras, somos uno de los mayores proveedores de Europa. Gracias a nuestro gran stock, a menudo podemos enviar partituras en 24 horas. Sea cual sea la partitura que busque: ¡está en el lugar correcto!
Atentamente, Stefanie Reichert
Responsable de atención al cliente
Otros clientes también compraron:
- Fagot, orquesta de cuerda y bajo continuo
- Reducción de piano
- Ursula Kramer Florian Heyerick
-
disponible en 3-4 semanas