Partituras para orquesta sinfónica

Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...

Robert Schumann (1810-1856) wrote his CELLO CONCERTO in A minor, Op. 129, in 1850, within the span of only two weeks. He tried offering the work to two publishers before Breitkopf and Hartel decided t...

Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...

Robert Schumann's (1810-1856) Symphony No. 2 in C, Op. 61 was sketched quickly in 1845, but depression and ringing in his hears prevented Schumann from completing the orchestration until later in 1846...

Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...

Robert Schumann (1810-1856) wrote the original version of his Symphony No. 4 in D minor, Op. 120, in 1841. Significant revisions were made by Schumann in 1851, and it is this version that was publishe...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...

Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still...

This Mozart-inspired work, completed in January of 1877, was the first composition by Tchaikovsky for cello and orchestra. This version of Variations on a Rococo Theme, heavily edited by Wilhelm Fitze...

Captivated by the playing of famed Franz Liszt pupil Eugen d'Albert during the 1883-1884 concert season, Peter Iljitsch Tschaikowsky (1840-1893) began work on Concert Fantasia. After an arduous compos...

SOUVENIR D'UN LIEU CHER (Recuerdo de un lugar querido) es un conjunto de tres piezas escritas originalmente para violín y piano en la misma época que el Concierto para violín de Chaikovski. La pieza s...

SOUVENIR D'UN LIEU CHER (Recuerdo de un lugar querido) es un conjunto de tres piezas escritas originalmente para violín y piano en la misma época que el Concierto para violín de Chaikovski. La pieza s...

Peter Ilyitch Tchaikovsky (1840-1893) began work in 1877 and finished it the following year. Begun soon after Tchaikovsky established his relationship with long-time patroness Nadezhda von Mech, SYMPH...

The Barber of Seville (Il barbiere di Siviglia) was written by Giocchino Rossini (1792-1868) in 1816. The two-act comic opera is considered one of the greatest opera buffas ever written, and it remain...

While less known today, German composer Moritz Moszkowski (1854-1925) was a popular and respected composer during his life. Known best for his piano compositions, his most popular work is his Spanish...

Johann Sebastian Bach (1685-1750) compuso por primera vez el texto del Magnificat, BWV 243, en 1723, tras asumir su cargo de Thomaskantor en Leipzig, pero en la tonalidad de mi bemol. Esta versión ori...

Johann Sebastian Bach (1685-1750) compuso por primera vez el texto del Magnificat, BWV 243, en 1723, tras asumir su cargo de Thomaskantor en Leipzig, pero en la tonalidad de mi bemol. Esta versión ori...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

Aus der Tiefen rufe ich, Herr, zu dir (Out of the depths I call, Lord, to You), BWV 131, is among the earliest church cantatas composed by J.S. Bach.  With the text based on Martin Luther's Germa...

Aus der Tiefen rufe ich, Herr, zu dir (Out of the depths I call, Lord, to You), BWV 131, is among the earliest church cantatas composed by J.S. Bach.  With the text based on Martin Luther's Germa...

Aus der Tiefen rufe ich, Herr, zu dir (Out of the depths I call, Lord, to You), BWV 131, is among the earliest church cantatas composed by J.S. Bach.  With the text based on Martin Luther's Germa...