Luigi Cherubini
Requiem c-Moll
Missa pro defunctis
Luigi Cherubini
Requiem c-Moll
Missa pro defunctis
- Formación Coro mixto (SATB) y orquesta
- Edición Partichela de 2 oboes, 2 clarinetes, 2 trompas, 2 trompetas, trombón alto, trombón tenor en Sib, trombón bajo, timbales y percusión (Urtext)
- Compositor Luigi Cherubini
- Editorial Bärenreiter Verlag
- Serie Bärenreiter Urtext
- Editor Hans Schellevis
- Nº de pedido BA8961-65
IVA incluido.,
Más gastos de envío
Descripción:
> Cherubini's well-known Requiem in a definitive Urtext edition
> Bilingual Foreword (Eng/Ger)
> Idiomatic, uncluttered piano reduction
Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor' of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.
This Urtext edition takes into account not only the autograph score with 'spartitino' (additional instruments written in by hand) but also the first edition and a copyist's manuscript.
Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
> Bilingual Foreword (Eng/Ger)
> Idiomatic, uncluttered piano reduction
Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor' of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.
This Urtext edition takes into account not only the autograph score with 'spartitino' (additional instruments written in by hand) but also the first edition and a copyist's manuscript.
Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).
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Introit
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Graduel
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Dies irae
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Offertorium
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Sanctus
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Pie Jesu
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Agnus Die
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