Helmut Lachenmann
Staub
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Helmut Lachenmann
Staub
- Formación Orquesta
- Compositor Helmut Lachenmann
- Edición Partitura general de estudio
- Editorial Breitkopf & Härtel KG
- Nº de pedido PB5177
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Lachenmann's compositional 'commentary' on Beethoven's 9th Symphony quickly became known even as it was being written: In 1985, the symphony orchestra of the Südwestfunk refused to play the commissioned composition, then still called 'Prolog', in the anniversary celebration concert. The dust has long since settled: Through authoritative interpretations, the orchestra has since made friends with the work. Dust: decay product of created things, cosmic matter, as a deposit message of time. My search for a - musically experienceable - 'non-music' in a situation of quickly available self-evidence 'music' drives me less forward into the unknown than rather in a circle, lets the invention, instead of taking off into the 'air of another planet', rather stumble over the expressive formulas surrounding us. With them it starts or lands, thus transforming chunks of form (Beethoven's Ninth as a reverentially walked quarry) into more or less unrecognizable components of a stretching and contracting field of perception: tonelessly breathed ('dusty') Largo cantilenas, pulsation, bare interval positions are celebrated as emptied and thus newly transparent for a hearing which has overcome its philharmonic bond, but not forgotten it. (Helmut Lachenmann, 1987) CD: Rundfunk-Sinfonie-Orchester Saarbrücken, cond. Myung Whun Chung CD BMG/RCA 74321 73518 2 (Music in Germany 1950-2000) Bibliography : Hiekel, Jörn Peter: The 'modern' Beethoven. Reflections on his composing in new music, in: Neue Zeitschrift für Musik175 (2014), issue 4, pp. 34-41. Mesquita, Marcos: Sound projection into time. Ein Weg zum Orchesterwerk 'Staub' von Helmut Lachenmann (= sinefonia 13), Hofheim: wolke 2010. Nonnenmann, Rainer: Beethoven und Helmut Lachenmanns 'Staub' für Orchester (1985/87), fragmen, Heft 33, Saarbrücken: Pfau 2000. Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmann's Orchestral Works, in: Helmut Lachenmann - Inward Beauty, ed. by Dan Albertson, Contemporary Music Review 23 (2004), issue 3/4, pp. 125-144. Williams, Alistair: Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition, in: Contemporary Music. Theoretical and Philosophical Percpestives, ed. by Max Paddison and Irène Deliège, Farnham (UK) and Burlington (USA): Ashgate 2010, pp. 361-370.