Partituras para instrumentos

40 études récréatives et progressives pour la clarinette

Ten classical pieces, arranged for Clarinet with Piano accompaniment by Andrea Cappellari.

Questo testo permette di suonare le grandi opere del repertorio classico con il clarinetto. Ha come triplo obiettivo di arricchire la propria cultura musicale, migliorare la tecnica esecutiva nonché d...

Carl Fischer introduces this exciting new series of performance pieces designed to help all levels of instrumentalists by making their practice time more productive. This innovative series offers the...

Andre Laporte (b. 1931) is a contemporary Belgian composer, whose eclectic musical style draws on a wide range of neoclassical, avant garde, and postmodern techniques. His Reflections for Solo Clarine...

This collection presents original clarinet tunes from various contexts, taken from works by both familiar and lesser-known composers. Edited by Thea King with notes on each piece. Includes music by Mo...

This collection presents original clarinet tunes from various contexts, taken from works by both familiar and lesser-known composers. Volume 2 includes music by Beethoven, Rimsky-Korsakov, Crusell, We...

This work was commissioned by Thea King with funds provided by the Arts Council of Great Britain and first performed by her and Paula Fen at the International Clarinet Congress in Denver, Colorado, on...

Sonatina was written for solo Clarinet in B flat, with Piano accompaniment. It was first published in 1982. Rory Boyle (b. 1951) is a Scottish composer and educator, currently Professor of Compositio...

Solo piece for clarinet, with piano accompaniment.

Lennox Berkeley, Three Pieces for clarinet edited by Thea King, written for clarinet in A. Composed 1939.

This piece is a paraphrase of a song that Wood wrote between 30 January and 1 February 1983 to a poem by Robert Graves called 'Bird of Paradise'. The music is continuous, but falls into five sections,...

Suite for Emma is written in four movements - Valse, the haunting Pavane, Ballade and the Scherzo finale - and calls upon the entire range of the clarinet as well as demanding a very high level of mus...

These three pieces for clarinet and piano were first performed at Cheltenham Festival, 1964, by Keith Puddy and Vivian Troon. Duration c. 8 minutes.

The nineteenth century saw an enthusuasm for Italian opera which live performance could never satisfy. In the absence of gramophone and radio the instrumental transcription flourished, and composers,...