Alice Parker: Partituras medio

A dynamic, and highly rhythmic adaptation of a traditioanl Negro Spiritual. This version of Mary Had A Baby has been specially arranged by Alice Parker and Robert Shaw for four-part Men's voices and S...

Harmonious Herbst is a cantata for chorus, soprano solo, and chamber orchestra with flute, oboe, bassoon, and strings. It is based on five spiritual songs in the collection entitled Hymns To Be Sung A...

Scottish Melody arranged by Robert Shaw and Alice Parker. The words are the English translation of an Orthodox Hymn.

These songs were commissioned by the Mohawk Trail Concerts in Charlemont, Massachusetts in honor of Ruth Lloyd Black, their co-founder. The first performance was on August 30, 2015, soon after her dea...

For SATB Choir with Organ as edited by Robert Shaw and Alice Parker.

A fabulous arrangement of Duke Ellington's classic Come Sunday for SATB Choir with Piano accompaniment, as arranged by Alice Parker.

This brisk a cappella setting is from the amazing series of Christmas works arranged by Robert Shaw and Alice Parker. Now newly engraved, there is also a separate VoiceTrax CD for individual part prac...

This brisk a cappella setting is from the amazing series of Christmas works arranged by Robert Shaw and Alice Parker. Now newly engraved, there is also a separate VoiceTrax CD for individual part prac...

For Mixed Voice Choir A Cappella.

For SATB Choir A Cappella.

Arranged for SATB Choir A Cappella by Robert Shaw and Alice Parker.

For SATB Choir A Cappella arranged by Robert Shaw and Alice Parker.

For Mixed Choir A Cappella. With Piano accompaniment for rehearsal purposes.

Includes: Flute, Oboe, Bassoon, and String Quartet

Singers Glen is an opera in a prologue and two acts. Based on the shape note hymnal. The opera tells of Joseph funks life in relation-ship with his family, his music and his church, in the years, whic...

This medium difficulty piece, adapted from the Psalms, playfully tosses the melody back and forth between the soprano solo and the choir, a heart lifting choice for concert or worship.

Parker's arrangement of the beloved Quaker folk hymn begins with a mezzo soprano solo, then progresses to some fairly tight harmony that sounds more complex than it actually is.

Not exactly a round (the parts don't follow in a regular order), but there are variously staggered entries that provide a rich texture, this is a highly accessible piece.