Arias de concierto

Arranged by Pietro Spada. For Voice, Piano. Duration 4:30.

Baritone (doubling Bassoon and Piano), Mezzo-soprano (doubling Piano), (Optional) Baritone (doubling Flute), Piano The week between Christmas and New Year must be an exceptionally slow time in New Yor...

Originalmente una obra de teatro premiada, INTIMATE APPAREL de Lynn Nottage se inspiró en la vida de su bisabuela en Nueva York a principios del siglo XX. La galardonada con el Pulitzer también creó e...

Basada en la novela de Bassani de 1962, EL JARDÍN DE LOS FINZI-CONTINIS dramatiza la historia real de los trastornos de una próspera familia judía y las consecuencias del antisemitismo impuesto por el...

Created with librettist Carman Moore, this rebooted triptych of short, family friendly operas pays tribute to the African tradition of storytelling for all ages using a blend of African American style...

Commissioned by the American Opera Project and premiered in 2014, Harriet Tubman: When I Crossed that Line to Freedom” is a two act opera detailing the life and development of the famed Underground Ra...

(In Three Volumes). By Girolamo Frescobaldi, Salvatore Rosa, Giovanni Battista Pergolesi, Giulio Caccini, Artie Glenn, Jacopo Peri, Giuseppe Torelli, Claudio Monteverdi, Antonio Lotti, Alessandro Scar...

For solo voice and piano. Text by Langston Hughes. In the words of editor John Michael Cooper, this work is an example of the deeply poetic creative nature of the Bonds-Hughes collaborations. By genre...

This duet for two solo voices with piano accompaniment features text by Langston Hughes, whose words emphasize the powerful rhythms of African drums and the sensual appeal of the dance. Bonds' work of...

The nine songs that comprise the cycle Kensington Gardens were written while Malcolm was a still a student at the Royal College of Music.  Unpublished until now they well represent the quirky poems of...

In 1953, Malcolm Arnold wrote the music for a production of Sean O'Casey's 1940 play, Purple Dust. Included in this edition are all six songs and the intriguing Finale to Act II.

A early song, already demonstrating the young Arnold's feel for colour and atmosphere.

Cover picture by Robert Arnold. The early 1960s were a golden period for Malcolm Arnold. He was at his height as a composer for the concert hall and for the silver screen. As part of family life at th...

Italian/English. Translated by Elkin.

Italian only, with an introductory plot synopsis in English.