Arvo Pärt: Partituras fácil

Pärt is one of the few composers to whom the term new simplicity- in itself absurd, and used both mistakenly and misleadingly - really applies. After a thorough study of medieval music, he arrived at...

Mein Weg was written for organ in 1989. The title was inspired by a short poem from Livre des Questions, the magnum opus of the poet Edmond Jabès, who was born in Cairo and emigrated to France in 1957...

I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series, said Arvo Pärt in 199...

I have developed a highly formalised compositional system, which I have been using to write my music for twenty years. Summa is the most strict and enigmatic work in this series, said Arvo Pärt in 199...

Beatus Petronius and Statuit ei Dominus were commissioned in 1990 to commemorate the 600th anniversary of the Basilica San Petronio, the principal church of Bologna. San Petronio is one of the few chu...

Ausgabe mit Melodie ohne Akkordsymbole

Ausgabe mit Melodie ohne Akkordsymbole

Playalong-Ausgabe mit Melodie ohne Akkordsymbole

Joseph Haydn's Cello Concerto in C Major (Hob. VIIb:1) is undoubtedly one of the most radiant and beloved masterpieces in the classical cello repertoire. To lend this brilliant concerto a personal, vi...

Von Puppen, Fröschen und Glühwürmchen - Klangvolles für kleine Stimmen Entstanden zwischen 1956 und 1964, stellen die 5 Kinderlieder in ihrer Einfachheit einen idealen ersten Zugang zu Pärts Musik und...

In 1976, the long silence finally gave birth to music - to the piano miniature Für Alina. It is clear that, with this piece, Pärt had found himself, and the compositional technique he used then for th...

Much of Arvo Pärt's music is for small forces and within the technical capabilities of developing musicians. Da Pacem Domine for recorder quartet is another example. Written in his tintinnabuli style,...

Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004...

`Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel for violin (here for violoncello) and piano, written in 197...

'Spiegel im Spiegel' is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow...

'Spiegel im Spiegel' is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow...

Spiegel im Spiegel is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creati...

Contemporary pieces for young flautists Famous flautists and great composers introduce modern music Four young stars of the international flute scene, in cooperation with leading composers, present ne...

With this touching setting of the Lord's Prayer ("Vater unser"), the renowned Universal Edition presents an extraordinary sacred work of profound spirituality and pure beauty. Dedicated to the Holy Fa...

Immerse yourself in fascinating soundscapes with "Arbos", an impressive work published by the renowned Universal Edition. This extraordinary composition unfolds its magical presence through a multifac...

Estonian minimalist composer Arvo Pärt has adapted his celebrated work, Summa, for recorder quartet. Originally written for four solo a cappella voices, it is also available in arrangements for string...

Beatus Petronius and Statuit ei Dominus were commissioned in 1990 to commemorate the 600th anniversary of the Basilica San Petronio, the principal church of Bologna. San Petronio is one of the few chu...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...