Breitkopf & Härtel Urtext

Texto musical históricamente sólido y auténtico; material orquestal de alta calidad basado en la edición completa El texto musical de la edición completa de Strauss de 1974 de la opereta "Die Flederma...

Cuando Carl Maria von Weber compuso la obertura de "Der Freischütz" en mayo de 1820, era el último elemento musical de su ópera. En este sentido, Weber pudo trazar y condensar perfectamente el gran pl...

Cuando Carl Maria von Weber compuso la obertura de "Der Freischütz" en mayo de 1820, era el último elemento musical de su ópera. En este sentido, Weber pudo trazar y condensar perfectamente el gran pl...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

Orchestral material according to the new Beethoven Complete Edition by G. Henle Verlag. All conducting scores and orchestral parts, as well as the piano reductions and choral scores for the choral wor...

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...

The German Requiem is one of the world's most famous requiems, even though it does not set the customary requiem text to music. Brahms did not want to follow the Latin Catholic funeral mass, addressin...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears...

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...

Die Kantate Es steh Gott auf ist für das Osterfest bestimmt. Als Textvorlage konnte der Herausgeber eine bislang wenig beachtete Dichtung von Christian Weise (1642‒1708) nachweisen. Kuhnau stand mit d...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Das erhaltene Material der Kantate "Mein Alter kömmt, ich kann nicht sterben" gibt weder Aufschluss über deren Bestimmung noch über die Entstehungszeit. Auf dem Titelblatt des autographen Stimmensatze...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...