Charles Gounod: Partituras medio

Gounod's Prayer (O, Divine Redeemer!), originally a solo for Mezzo-soprano, chorus, and orchestra, comes from his oratorio La Redemption, and here is presented as a beautiful lyrical solo for Euphoniu...

Gounod's Prayer (O, Divine Redeemer!), originally a solo for Mezzo-soprano, chorus, and orchestra, comes from his oratorio La Redemption, and here is presented as a beautiful lyrical solo for Euphoniu...

Große Fantasie mit den schönsten Melodien aus der bekannten Oper.

Funeral March of a Marionette was composed in 1872 as part of Charles Gonoud's Suite Burlesque for piano. This suite was intended as a parody of the music critic, Henry Chorley. When he had finished c...

Your audience will be delighted with this sly, tongue-in-cheek programmatic march! Filled with clever melodies and colorful surprises, Funeral March of a Marionette is perhaps best known as the theme...

'Marche et cortège' from the opera 'La Reine de Saba' ('Queen of Sheba') by Charles Gounod (1818-1893).

Ave Maria is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as Méditation sur le Premier Prélude de Piano de S. Bach. The piece consists of a melody by...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

Roméo et Juliette (Romeo y Julieta) es una ópera en cinco actos de Charles Gounod, basada en "La tragedia de Romeo y Julieta" de William Shakespeare. Gounod adaptó directamente su ópera lírica de la o...

Adapted to the first prelude of J. S. Bach by Charles Gounod in E Flat Major for piano and voice. Includes Latin words and English translation by Henry F. Chorley.

Version for High Voice and Piano.

Version for Medium Voice and Piano.

This Song from the Oratorio 'Ruth' is frequently sung at weddings. It is arranged here for Medium Voice and Organ with an accompaniment by William Stickles.