Partituras de Coro y Voz para todas las agrupaciones

Poetry in Latin and English by the priest Angelus Silesius. Written for and first sung at the Festival of Nine Lessons and Carols from King's College, Cambridge in 2004.

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.) Chorpartitur 4 Minuten Schwierigkeitsgrad: mittelschwer

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2) Chorpartitur 8 Minuten Schwierigkeitsgrad: schwer

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (2), Bariton (Chorst.), Bass (Chorst.) Chorpartitur 5 Minuten Schwierigkeitsgrad: schwer

Commissioned in celebration of Philip Brunelle's 40th year as Organist-Choirmaster at Plymouth Congregational Church, Minneapolis, Minnesota, USA. Dedicated to Carolyn Brunelle, faithful Plymouth Choi...

Catalan traditional texts translated by the composer These songs were originally composed with texts in Catalan. They were written for a concert in June 2006 that celebrated ten years of the Centre d'...

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (4), Bass (Chorst.) (4) Chorpartitur 14 Minuten Schwierigkeitsgrad: schwer

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.) Chorpartitur 3 Minuten Schwierigkeitsgrad: mittelschwer

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.) Chorpartitur 5 Minuten Schwierigkeitsgrad: schwer

Sopran solo, Gemischter Chor (SATB) Chorpartitur 5 Minuten Texter: Herbert, George Schwierigkeitsgrad: schwer Band/Reihe: Contemporary Choral

First performed on 3rd June 2008 at Westminster Cathedral by The Sixteen, Christoper Glynn (organ) and Harry Christophers (conductor). Words attributed to Padre Pio, translated by Stephen Macklow-Smit...

Sopran (Chorst.) (2), Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2) Chorpartitur 3 Minuten Schwierigkeitsgrad: schwer

Commissioned by the Exultate Singers for a concert celebrating 20 years since the fall of the Berlin Wall. First performance on 8th November 2009, Clifton Cathedral, by Exultate Singers, Richard May -...

'There is something about Jonathan Dove's music that ticks all the right boxes. His organ accompaniment is the best part of this new psalm setting and it requires tenacity - there are pages of apeggia...

The first new setting of the Plainsong Mass for fifty years in which Panufnik's own harmonic language interweaves with the plainsong melodies to create a highly effective original work. Also see: EP72...

Words: Wendy Cope. The words of 'the homeless hammer' were inspired by the poet hearing Boulez's Le Marteau san Maître ('The Hammer without a Master”). Two Poems by Wendy was co-commissioned by The Na...

A setting of George Herbert's Come my way, my truth, my life Commissioned by The Choir of St John's College, Cambridge, for the Advent Carol Services 2010 First performed (in the version for SATB and...

A setting of George Herbert's Come my way, my truth, my life Commissioned by The Choir of St John's College, Cambridge, for the Advent Carol Services 2010 First performed (in the version for SATB and...

A setting of George Herbert's Come my way, my truth, my life Commissioned by The Choir of St John's College, Cambridge, for the Advent Carol Services 2010 First performed (in the version for SATB and...

Sopran (Chorst.), Alt (Chorst.), Tenor (Chorst.), Bass (Chorst.) Chorpartitur 4 Minuten Schwierigkeitsgrad: Mittelschwer

Words from The Wind in the Willows by Kenneth Grahame

Sopran (Chorst.) (3), A sowie 2 S, Alt (Chorst.) (2), Tenor (Chorst.) (2), Bass (Chorst.) (2) Chorpartitur 7 Minuten Schwierigkeitsgrad: schwer