Partituras de Coro y Voz para todas las agrupaciones

Sanctum" es una cautivadora composición de cuatro movimientos del texto del Réquiem, inspirada en el paisaje de la costa oeste de Canadá. Cada movimiento representa un aspecto de la isla de Vancouver...

Una pieza luminosa y alegre con un encantador texto de Charles Bennett, "A Tree of Song" comienza con una alegre figura de 7/8 que se repite a lo largo de la pieza, con una animada melodía flotando po...

This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both t...

The Oxford Book of Upper-Voice Polyphony is a collection of carefully curated and edited Renaissance works. Scholarly yet practical, this volume is an invaluable addition to the library of any choir l...

'TaReKiTa' is a refreshing concert piece that effortlessly blends the Indian and Western classical styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating mel...

This widely performed Renaissance motet is now available in an SSA edition. Transposed up a fourth from the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

Las obras corales sacras a cappella de Johannes Brahms se encuentran entre las obras románticas más importantes del género. Estas obras, publicadas por Bärenreiter en la antología BA 7575, ahora tambi...

Las obras corales sacras a cappella de Johannes Brahms se encuentran entre las obras románticas más importantes del género. Estas obras, publicadas por Bärenreiter en la antología BA 7575, ahora tambi...

Las obras corales sacras a cappella de Johannes Brahms se encuentran entre las obras románticas más importantes del género. Estas obras, publicadas por Bärenreiter en la antología BA 7575, ahora tambi...

Selber kundiger Chordirigent, erzielte Hans Chemin-Petit mit Kompositionen für Vokalensemble seine größten Erfolge. Neben großformatigen ernsten Werken, vor allem auf biblische Texte, schuf er auch or...

Le tremblement permanent du moi- fantôme ... commissioned by the French vocal ensemble Musicatreize for the Beethoven Year 2020 program 12 Letters to Elise, raises the question of who we are today and...

Christmas setting for upper voices (three parts) of a traditional 15th-century English text with Latin refrain: 'Gabriel of high degree ...' / 'Ut nova: Ave fit ex Eva'. An explanation of the Latin pu...

Composed in 2009, this short, celebratory introit was the first of several unaccompanied works I composed for Matthew Owens and the Wells Cathedral Girl Choristers. The text (Let us all rejoice) exist...

This setting of the Ordinary of the Latin Mass (without Credo) was premiered in May 2016 by the choristers of Wells Cathedral Choir. Filling a gap in the repertoire, the work is written for unaccompan...

This work by Kim André Arnesen (one of Norway’s most performed contemporary composers) was commissioned by the Athens Master Chorale, Georgia, USA for the 50th anniversary of their founder and conduct...

Composer's note:'The original version of Ring the bells for mixed choir, now available in a version for high choral voices, was commissioned by the London Philharmonic Choir, who also sang the premier...

In its original scoring for mixed voices MacMillan's The Gallant Weaver has become a favourite; this arrangement now extends the setting to upper voices. Paul Spicer comments, 'This ideal introduction...

The fragmented nature of the poetry is reflected in the many small musical sections. (3:00)

This arrangement explores the Caribbean sty;e known as 'Afro-Cuban': independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Eve...

This fleet-footed setting of a medieval French folksong is packed with energy and self-assurance. Sure to please!

Adapted from a traditional African-American chant, this is – in the composer's words – a “soulful piledriver with a monster backbeat. ” Plentiful but manageable divisi writing...