Partituras de Coro y Voz para todas las agrupaciones

Edited by Walter Golde. Arranged by Constance Wardle. For Piano, Voice. Piano/Vocal Score. 58 pages.

Edited by Walter Golde. Arranged by Constance Wardle. For Piano, Voice. Piano/Vocal Score. 58 pages.

Edited by Bernard Taylor. Arranged by Bernard Taylor. For Voice, Piano. Classical. Piano/Vocal Score. 60 pages.

For Voice, Piano. New Music Edition. Classical. Piano/Vocal Score. 71 pages.

For Piano, Voice. This edition: New Music Edition. Piano/Vocal Score. 51 pages.

The three selected art songs by Dorff use Japanese texts by family and the composer himself and have been premiered in settings from prestigious Suntory Hall in Tokyo to a dock floating on the banks o...

This edition of Viardot-Garcia's vocal works in Spanish for voice and piano sheds light, not only on this intellectual diva, singing professional and composer; but also on Pauline García, the Spaniard...

Las canciones de este volumen documentan la vida musical de Margaret Bonds como compositora de canciones artísticas antes de su traslado a Nueva York en 1939. "Sleep Song" y "Sea Ghost" son las primer...

When I was part of a composers group at the School of Practical Philosophy in New York City, we were given an exercise in composition. The instructions were to read the text, allow it to have its effe...

We are delighted to announce publication of three very special song cycles by Timothy Bowers. The last words of famous people, whether real or invented, exert a strange fascination. Breaking with the...

We are delighted to announce publication of three very special song cycles by Timothy Bowers. The last words of famous people, whether real or invented, exert a strange fascination. Breaking with the...

Last Words Book 4 was composed in the winter of 2013/14. The last words of famous people can be sad, moving, even chilling, but they can also be uplifting and witty. Book 4 explores such texts, and in...

Una obra fascinante, ingeniosa y ciertamente inusual de Malcolm Arnold. Garantizado para deleitar a todos los cantantes y audiencias.

This one-act comic farce was first performed in Venice at the Teatro San Moisè on May 9, 1812. This critical edition includes a preface in Italian and English and critical notes. It is another opera i...

Italian Only.