Partituras de Coro y Voz para todas las agrupaciones

English version by PROCTER-GREGG

Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....

Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...

Egad! Somehow, the Et Exspecto solo from P.D.Q. Bach's suspect opera Hansel and Gretel and Ted and Alice - thankfully restricted to supervised rental status - has leaked out to the public sphere! The...

'Songs of Love and Loss was originally written for bass voice and piano; and premiered by Bryan Matthews at Juilliard in 1984. Subsequently in 2004; I arranged the work for Bass Trombone and Piano for...

An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice - a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with Whitman's words...

For Low Voice, Piano. Classical. Piano/Vocal Score. Opus 83. 7 pages.

Arranged by Fred Bock. For Low Voice, Organ. Piano/Vocal Score. 4 pages.

Arranged by William Arms Fisher. For Low Voice, Piano. Classical. Piano/Vocal Score. Composed 20-Jul-22. Opus 95. 5 pages.

LAMENT was originally composed in 1999 for solo piano, in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them. The performance challenges in L...

For bass voice and piano

From Mouvements du Coeur - un hommage a la memoire de Frederic Chopin, for low voice and piano.

Edited by Heinrich Kiehl, Martin Mason. For Bass. Piano/Vocal Score. 94 pages.

Das Gebet von Ferdinand Hiller, komponiert um 1850, zählt zu den ergreifendsten geistlichen Sololiedern des 19. Jahrhunderts. Johannes Doebber (1866-1921) richtete es 1916 mit einer 2. Singstimme ad....

Sarastros Arie 'In diesen heil'gen Hallen' ist der Höhepunkt des zweiten Akts aus Mozarts Oper 'Die Zauberflöte'. In dieser Ausgabe sind die Gesangsnoten für die Bassstimme enthalten.

Als Büblein klein (Lustige Weiber) Trinklied für Baß und Klavier (OG 164)

Ave Maria op. 52,6