Partituras de Coro y Voz para todas las agrupaciones

Here is a work about light. Light which brings peace, hope, awareness, wholeness. The a cappella writing is descriptive and transparent and a wonderful vehicle for exploring choral colors.

Rubato phrasings and delicate word painting are the gentle elements that move this beautiful new setting of the iconic Pickthall poem. Shifting tonal centers, divisi in all voice parts and the a cappe...

Written in a Foundation for Small Voices song-writing workshop hosted by the Cincinnati Children's Choir, the student's message is loud and clear - 'Whatever your journey, whatever your beliefs, whate...

This beautiful text by Canadian poet Bliss Carman speaks to themes of peace, thankfulness and humility. The texture is mostly homophonic with brief sections of divisi to illuminate colors and images i...

Heavenly Home is a 13-minute cycle of a cappella settings of beloved 19th century religious songs, all of which share the text imagery of heaven as 'home'. Each movement features newly-composed materi...

Here is a collection of three of the most popular spirituals in the repertoire. Down To The River To Pray, Deep River and In That Great Gettin'-up Morning are arranged for success. Numbers 1 & 3 are a...

Esta obra coral de siete minutos de duración, última pista de la serie de álbumes Djesse de Jacob Collier, de cuatro partes, que trastoca géneros, ha sido galardonada y ha conquistado el mundo, fue gr...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

Nights in armor is a suite for a cappella chorus which reflects on the themes of Arthurian legend as brought to verse by Alfred, Lord Tennyson in Idylls of the King. Each of the four songs takes the v...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

mit Klavierbegleitung zu Probenzwecken

Jabula Jesu is not hard to learn, and yet creates very rich textures that allow for great variety in shaping and phrasing. The piece can be performed completely unaccompanied, but two or more percussi...

In 1955, while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman, Leonard Bernstein composed French and Latin choruses as in...

O Herr, mache mich zum Werkzeug deines Friedens' (O lord, make me an instrument of your peace), Op. 37/1, is a motet by Kurt Hessenberg for a six-part mixed choir a cappella, composed in 1946. It is a...

gemischter Chor (SMezATTBB) mit Tenor-Solo

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...

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