David Bednall: Partituras medio

A collection of three choral songs setting the words of three First World War poets, commissioned in 2014 by the choir Sospiri to mark the centenary of the start of the war. The songs are charged with...

Everyone Sang was written for the wedding blessing at Wells Cathedral on 26th May 2007. The choir on that occasion featured many singers from the operatic world and this, combined with the emotional n...

Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...

Alegraos en el Señor es una composición rápida, festiva y alegre del Salmo 33. Después de una apertura exuberante, un pasaje de órgano animado conduce a un hermoso momento de quietud en el coro, sin a...

Three Songs of Love was commissioned by the Exultate Singers and first performed at St George's Church, Bristol on 14 February 2015.The three texts (Clare, Yeats and McCrae) represent different moods...

Originally part of David Bednall's Three Songs of Love, the short section which sets W B Yeats' poem The Cloths of Heaven ('Had I the heavens' embroidered cloths') is here presented as a separate octa...

A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various ch...

A reflection on the plainchant 'Assumpta est Maria' (originally for the Feast of the Assumption of the Blessed Virgin Mary), this setting tenders a festal feel through its dance-like metre and expansi...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

Written for John Padley and the Sherbourne School Chapel Choir.

This joyous introit sets words from Psalm 95 and features recitative-like melodies, striking harmonies, and fluctuating metre. The flexible scoring facilitates performance by SATB choir, unison voices...

George Herbert's popular poem, 'The Call', is set to music in this powerful and evocative anthem. Bednall uses subtle dynamic and rhythmic shifts to build towards a powerful climax in the third verse,...

This jubilant carol sets a fifteenth-century text that rejoices in the birth of the baby Jesus. Bednall's rhythmically exciting setting features frequently changing time signatures, with 7/8 passages...

The choral writing in this energetic and joyful carol is rich with rhythmic character, while the organ part is typically virtuosic.

This warm and expressive carol sets a Christmas poem by English poet U. A. Fanthorpe that centres on the moment of Christ's birth. Fleeting unisons call the listener's attention to the focal point of...

Finzi's Magnificat was composed to commission in 1952 for the choir of Smith College, Northampton, Massachusetts. Intended for a service of Christmas Vespers it therefore excluded the Gloria, closing...

Light Triumphant Breaks combines the text of the Sarum introit from the second Sunday of Advent and a translated anonymous Greek text using dancing dotted rhythms and intricate articulation. A free us...