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Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Who says Beethoven can't be fun? Here's a clever spin on classical music's most famous four-note motif, done up right in a current techno-dance treatment.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...