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The popularity of his (first) violin concerto drove Max Bruch not just almost to despair - 'I cannot listen to this concerto any more', he wrote to his publisher - it also got in the way of the compos...

'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...

The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work...

The combination of musical melancholy and instrumental virtuosity captivates both players and audience alike. 'Flamenco' comes from the Suite espagnole No. 1 by the rather unknown Spanish composer Rog...

Apart from his 'classic', the First Concerto, Camille Saint-Saëns composed other works for the violoncello, such as his 'Suite' Op. 16. Written in 1862, the work lives on the composer's examination of...

Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello...

When writing his Concerto No. 1 in A minor, Op. 33, Camille Saint-Saëns created a 'classic' of violoncello literature. But the French musician even wrote other solo works for this instrument: a second...

In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...

In 1796 Beethoven travelled to Prague where he met the Countess Josephine of Clary-Aldringen (later Countess Clamm-Gallas) who played the mandolin. For her, he wrote several works for mandolin and pia...

For Countess Josephine of Clary-Aldringen, Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and...

A large number of works by the Italian musician Giovanni Battista Cirri (1724-1808) from Forlì were printed during his lifetime. The busy cello virtuoso composed of course particularly for 'his' instr...

Georg Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even...

Scent Dance II für Viola solo basiert auf der Fassung für Violoncello aus dem Jahr 2010. Inspiriert wurde das vielschichtig virtuose Werk durch Xuntian Hes Gedicht Passing by the Earth, in dem der Aut...

The Moscow-based composer Alexander Rosenblatt writes music that ranges between classical and jazz music. His composition 'Waltz Elegy' is an expressive piece full of melancholy, a 'song without words...