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This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

This well-scored arrangement opens with the slow chorale-like theme from the beginning of the original overture. From there it builds to the familiar dynamic strains and powerful conclusion. Hal Leona...

German composer Hans Leo Hassler composed this suite at the end of the 16th century. Hassler was a student of the famous composer Gabrieli who mainly wrote for brass ensembles. This is the reason why...

Von den vier Orchestersuiten Bachs hat die Dritte den wohl grössten Bekanntheitsgrad erreicht. Dies wohl auch vor allem wegen des zweiten Satzes, welcher eines der schönsten Abendlieder der Barockzeit...

Von den vier Orchestersuiten Bachs hat die Dritte den wohl grössten Bekanntheitsgrad erreicht. Dies wohl auch vor allem wegen des zweiten Satzes, welcher eines der schönsten Abendlieder der Barockzeit...

Von den vier Orchestersuiten Bachs hat die Dritte den wohl grössten Bekanntheitsgrad erreicht. Dies wohl auch vor allem wegen des zweiten Satzes, welcher eines der schönsten Abendlieder der Barockzeit...