Franz Liszt: Partituras medio

Schubert’s Ständchen (Serenade) on Rellstab’s poem “Leise flehen meine Lieder” (Gently My Songs Entreat) not only numbers among the most well-known art songs, but is still a real hit today in Liszt’s...

In his virtuosic piano arrangement of Schumann's 'Widmung' ('Du meine Seele, du mein Herz'), Franz Liszt transformed this intimate song into a dramatic declaration that reaches its powerful climax at...

The pianistically demanding studies 'Waldesrauschen' and 'Gnomenreigen' were written during the composer's mature late phase, in which one does not necessarily expect such virtuosic pieces. Liszt comp...

These Drei Notturnos appeared in 1850 in two different versions: the first for high voice and piano and the second for piano solo. In the latter version the music is preceded by the song texts (no. I...

These six little piano pieces are among Liszt's best-known works and are comparatively easy to play - a rarity amongst the composer's often eccentric and virtuosic works. In 1844 Liszt had already beg...

Revised by Franz Liszt. With an essay by Liszt and a biographical sketch of the author by Dr. Theodore Baker.

This is a Piano transcription by Liszt of one of Schumann's best-loved songs - written, as were so many of his Lieder - in 1840, the year Robert Schumann married Clara Wieck. The text is by Friederich...

The opera paraphrases take a prominent place among Liszt's complete works as a self-contained art form alongside original compositions. Feruccio Busoni values the high artistic merit of these composit...

Composed by Franz Liszt (1811-1886). Edited and fingered by Rafael Joseffy.

Robert Schumann's 'Frühlingsnacht' ('Spring night') was one of his most popular songs even in the 19th century. Franz Liszt made a piano arrangement of it that in the space of under 70 measures emerge...

The composition and publication of the first two volumes of Liszt's 'Années de pèlerinage' are closely interlinked. Barely a year after returning from Switzerland, Liszt and his companion Marie d'Agou...

Edición revisada que sustituye a la HN173 Los tres volúmenes de los "Années de pèlerinage" constituyen el núcleo de la obra pianística de Liszt. En el primer volumen, "Suisse", el compositor plasmó la...

La séptima Rapsodia húngara, publicada en 1853, se basa en tres temas de la música popular húngara: una antigua melodía instrumental y dos canciones campesinas. Encontramos aquí todas las característi...

A diferencia de los dos primeros volúmenes de los Années de pèlerinage, basados en impresiones de viajes por Suiza e Italia, el tercer volumen de la última época de Liszt, publicado en 1883, es más bi...

Between 1837-39 Liszt was travelling through Italy with Marie d'Agoult. As was the case with the first volume of the Années de Pèlerinage, Schweiz (1835/36) he once again recorded his travel impressio...

Liszt's Funérailles is a broadly conceived, virtuoso funeral march that has found a permanent place in the repertoire of all great pianists while remaining within the reach of talented amateurs. This...

The 'Valses oubliées' belong to Liszt's late work, characterised by themes such as memory, sorrow and grief. They do not form a cycle but were written as separate pieces between 1881 and 1884. The tit...

Liszt's piano cycle 'Harmonies poétiques et religieuses' (HN 639) was inspired by religious-philosophical poems of the French Romantic Alphonse de Lamartine. Whereas the cycle as a whole remained comp...

About three years after the publication of the second volume of his 'Années de Pèlerinage' (Italy), Liszt added a supplement to this collection: the triptych 'Venezia e Napoli'. For this he reworked t...

Arrangements for the piano, transcriptions and opera paraphrases take up a large part in Franz Liszt's complete œuvre. He even arranged scenes from the music dramas of Richard Wagner. The transcriptio...

Liszt's works for organ are highlights of the virtuoso Romantic organ literature. This is why many organists will probably welcome the fact that a series of transcriptions based on piano works are add...

The substantial cycle, published in 1853, unites splendid concert pieces (Bénédiction and Funérailles) and simple, short compositions, which partly make use of Gregorian modes. The volume was composed...