Franz Schubert: Partituras medio

Reducción para piano basada en el Urtext de la Nueva Edición Schubert. Soprano solista, contralto solista, tenor solista, bajo solista, coro mixto-SATB, orquesta - reducción pianística.

2. Fassung mit der Variante des Osanna in excelsis und der Cum Sancto Spiritu-Fuge aus der 1. Fassung. Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Second version with the variant of the...

Klavierauszug nach dem Urtext der Neuen Schubert-Ausgabe - Vocal Score based on the Urtext of the New Schubert Edition Sopran solo (2), Alt solo, Tenor solo (2), Bass solo, Gemischter Chor-SATB, Oboe...

Das lateinische 'Stabat Mater' D175 komponierte Schubert wohl ohne direkten Auftrag zwischen dem 4. und 6. Apirl 1815. Es ist nach der Bestimmung Papst Benedikts XIII. von 1727 als Sequenz für das Fes...

Solo S, 2 Vl, Va, Vc/Cb

Streicher ohne Va. Urtext der Neuen Schubert-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2)/ Klarinette in c ad lib., Trompete in c (2) ad lib., Pauke ad lib., S...

Urtext der Neuen Schubert-Ausgabe - Urtext of the New Schubert Edition. Sopran solo (2), Alt solo, Tenor solo (2), Bass solo, Gemischter Chor-SATB, Oboe (2), Klarinette in b (2), Fagott (2), Horn (2),...

Julian Bream's masterly arrangement of a Schubert quartet for 2 guitars as recorded by Bream and John Williams.

Franz Schubert's piano works belong to pianists' core repertoire and of course, to Henle's, too. Our catalogue contains almost all of Schubert's piano compositions. This volume contains the piano work...

This concise edition contains four expressive and lively impromptus that will challenge advanced pianists. To clarify the composer's original notations on tempo, dynamics, fingering, pedaling and orna...

La Fantasía en fa menor op. 103 - D 940 que fue terminada en abril de 1828, el último año de la vida de Schubert, fue seguida en mayo por el igualmente popular Allegro en La menor op. 144 - D 947 y en...

Schubert’s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1...

La Fantasia in fa minore di Schubert è una delle composizioni più importanti del repertorio per pianoforte a quattro mani. I suoi quattro movimenti tematicamente correlati vengono suonati uno dopo l'a...

Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplet...

Schubert’s piano sonatas written between 1818 and 1825 comprise four completed and five unfinished works. His breakthrough came with the Sonata in C major D 840, known as the “Reliquie”, the Sonata in...

Mit diesem Band beginnt Bärenreiter mit der Herausgabe von Schuberts sämtlichen Werken für Klavier zu vier Händen in kritisch-praktischen Urtext-Editionen. Er enthält Schuberts späte, zwischen 1826 un...

A Franz Liszt, fan declarado de Schubert, le gustaba interpretar transcripciones de canciones de Schubert en sus recitales de piano, y con tal éxito que los editores empezaron a fijarse en ellas. A pa...

The large and technically demanding G major Sonata was composed two years before Schubert's death in October 1826 and is one of only three piano sonatas that appeared in print during his lifetime. The...

Schubert's 22 piano sonatas sketch a most illuminating picture of the prematurely departed composer and of his compositional path. From the first attempts of the gifted 16- to 19-year- old musician on...

Franz Schubert parece haberse sentido especialmente atraído por la tonalidad de la menor. No sólo una, sino tres de sus sonatas para piano están en esta tonalidad. La primera de ellas, D 537, fue comp...

Schubert occupied himself intensively with the sonata form in 1818/19. The results, to put it like this, led to the creation of this piano sonata in A major, probably in summer 1819, thus at about the...

At the end of his short life, Franz Schubert impressively illustrated, in his collections of 'Impromptus' and 'Moments musicaux', how lyrical-songlike form could be rendered on the piano. Nothing can...

In his collections of Impromptus and Moments musicaux, Franz Schubert impressively showed at the end of his life how a lyrical, songlike form can be rendered on the piano. In spite of their simplicity...