George Gershwin: Partituras medio

A true joy to perform and to hear, this timeless George Gershwin piece is perfectly set for strings with optional percussion and arranged by Jerry Brubaker. Composed in 1928, then immortalized in the...

Originally for piano these brillant guitar transcriptions by Jorge Morel are a natural for the guitar.

The name George Gershwin is legendary in the world of American music and has spanned both popular and classical genres. This medley includes 'I Got Rhythm,' 'Embraceable You,' some symphonic works suc...

The music from this timeless masterwork has fascinated generation after generation. Oddly enough, at its premiere the critics presented mixed reaction: some calling it the pioneering work of a new fol...

Using a sensuously slow Basie style, Mark has crafted a distinctive setting of this Gershwin standard that features the entire ensemble. Lush brass scoring on the 'A' theme is contrasted with the saxe...

This chart is a showstopper for concert or festival. One of Dave Wolpe's finest charts, this tune has meter changes, key changes, and solos for trumpet, tenor and piano. This superior chart is worth e...

As recorded by the Bill Holman Band on In A Jazz Orbit, here is his chart on the wonderful Gershwin melody. It is set at a bright, swinging tempo, and it contains solo space for tenor sax, trumpet, tr...

This one truly is wonderful! The band moves along at a nice tempo giving the vocalist plenty of support throughout. Tenor sax and trumpet both solo after the first chorus and then bring the vocalist b...

The arrangement was commissioned and recorded by Prisma (members of the Vienna Philharmonic and Vienna Symphonic Orchestras). It can also be heard on That's Brass (Oculus Brass Quintet, FMCD 90101). M...

I'd Rather Charleston, written by George Gershwin with words by Desmond Carter, from the musical comedy 'Lady Be Good!', arranged for voice and piano.

In The Rain, written by George Gershwin with words by Clifford Grey, from 'The Rainbow', arranged for voice and piano.

Innocent Lonesome Blue Baby, written by George Gershwin and William Daly with words by Clifford Grey and Brian Hooker, from 'The Rainbow', arranged for voice and piano.

Isn't It Wonderful, written by George Gershwin with words by Desmond Carter and Ira Gershwin, from the musical comedy 'Primrose', arranged for voice and piano.

It's A Great Little World, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Tip-Toes', arranged for voice and piano.

The Half Of It, Dearie, Blues, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Lady, Be Good!', arranged for voice and piano.

Argentina, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.

At Half Past Seven, written by George Gershwin with words by Buddy De Sylva, from 'Nifties of 1923', arranged for voice and piano.

Beautiful Gypsy, written by George Gershwin with words by Ira Gershwin, from 'Rosalie', arranged for voice and piano.

Because, Because, written by George Gershwin with words by Ira Gershwin, from 'Of Thee I Sing', arranged for voice and piano.

Cinderelatives, written by George Gershwin with words by Buddy De Sylva, arranged for voice and piano.

Do What You Do! written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.

Drifting Along With The Tide, written by George Gershwin with words by Arthur Jackson, from 'George White's Scandals', arranged for voice and piano.

Feeling I'm Falling, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.

Feeling Sentimental, written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.

From Now On, written by George Gershwin with words by Arthur Jackson and Buddy DeSylva, from 'La La Lucille', arranged for voice and piano.