Glenn Miller: Partituras medio

Here is the lush and lovely Danny Boy (a.k.a Londonderry Air) as played by the Miller Band. Another excellent transcription from the pen of Alan Glasscock, this chart features Miller-voiced saxes, bea...

My Guy's Come Back is the Mel Powell arrangement for the Miller USAAF band, and is an extended version compared to the civilian band chart which we have transcribed from a radio air check. It is at he...

Fred Norman wrote and arranged this tune for the Miller band, and we have transcribed this chart from Miller's 1941 Hollywood recording. The opening Piano solo and later Trumpet and Tenor solos are fu...

Glenn Miller's version of Star Dust is hauntingly beautiful, and a Miller 'must-have' chart. Lovingly transcribed from the original Miller / Finegan arrangement by Alan Glasscock, our version contains...

Skylark is a lush male vocal ballad from the Glenn Miller Orchestra, and it naturally makes use of Miller-voiced Saxes. The voicings and harmonic structure of this arrangement are simply stunning, and...

Lovingly transcribed by Alan Glasscock from Miller's October 1940 New York recording, originally arranged by Bill Finegan and sung by Ray Eberle, this lush chart is classic Miller, full of tonal colou...

This transcription is of the Miller version of Gershwin's famous work. We have written out all the solos (1st Trumpet, 1st Tenor, Guitar and Bass) and all the parts are accurately notated and articula...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

This is Glenn Miller's version that was originally performed by the Modernaires vocal group. We have scored it for Boy and Girl vocal duet and have included a part for the vocal harmony group too. The...

A Glenn Miller Suite ia a classic arrangement by Mark Freeh, offering a four- movement suite of classic Glenn Miller numbers including In the Mood, Moonlight Serenade, Pennsylvania 6-5000 and American...

This version of I Know Why is adapted from our vocal version and is from the film Sun Valley Serenade. It includes an additional instrumental chorus not found in the earlier Miller recorded version. A...

Moonlight Sonata is a much underrated chart from the Glenn Miller book but one that makes the hair stand up on the back of your neck. It naturally features your pianist. The arrangement builds on Beet...

Chicken Reel is a rare chart from the Glenn Miller band, originally penned by Bill Finegan. The arrangement opens with a unison rhythm riff, backed by band calls, and from there it builds in layers -...

A classic Glenn Miller chart from the early days of the band, with vocals by Ray Eberle, and featuring the Miller trademarks of Clarinet-led reeds over brass in plungers, a great modulation to the voc...

Long Tall Mama is a solid swing chart written for the Glenn Miller band by Billy May , though credited to his wife Arletta for fiscal reasons at the time. Miller recorded this with his civilian and US...

Glenn Miller recorded this chart in July 1942 Victor 20-1509-B, as the B-side to Juke Box Saturday Night. The original arrangement is credited to George Williams who also arranged extensively for Lunc...

Here is an absolute classic from the Glenn Miller Orchestra and a 'must have'' for every band's library. The original GMO chart was scored by Jerry Gray at a time when the GMO only carried 6 brass. We...

Our chart has been transcribed from the fine Jerry Gray chart written for the Glenn Miller band. Originally scored for six brass, we have augmented it up to a full eight voices. The Alto and Trumpet s...

Whilst never commercailly recorded by the Miller band because the chart's playing time was too long to fit onto a 78rpm record, The Hour of Parting was an often played number in the Miller book. The o...

White Cliffs of Dover is a lovely vocal swing ballad from the Glenn Miller book. We have kept this chart true to the original, though have augmented the brass to full 8 voicing. The sax section is sco...