Heinrich Joseph Baermann: Partituras medio

A useful arrangement of this wonderful piece, for 4 Bb clarinets and bass clarinet. Duration: 5 mins.

Zur Wiederentdeckung des Werks von Heinrich Bärmann, einem der führenden Klarinette-Virtuosen seiner Zeit, lädt diese Ausgabe ein. Das als Erstausgabe vorliegende Nocturno lebt von gewitzter Spielfreu...

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A must-have for Clarinet. Here is a very beautiful Adagio written in 1821 by Heinrich Baermann, the celebrated dedicatee of works for clarinet written by Weber. For a long while considered to be a you...

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

Baermann was the extremely accomplished clarinettist for whom Weber wrote most of his clarinet music. Unfortunately for Baermann, Weber composed his last clarinet work in 1816 (the Grand Duo Concertan...

Originally for clarinet and string quartet, this beautiful Adagio has over the years been mistakingly attributed to Richard Wagner (1813-183). In 1964, however, Hans-Georg Bach publicized his research...

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.

Originally for clarinet and string quartet, this beautiful adagio has over the years been mistakenly attributed to Richard Wagner. In 1964, it was discovered that the work was actually the middle move...