John Casken: Partituras dificil

Nearly Distant is a bravura romp for saxophone quartet from one of Britain's leading composers.

This short string quartet is the third that Casken has written for the renowned Lindsays. It is an ideal introduction to the contemporary string quartet, well within the capabilities of student quarte...

'Amethyst Deceiver' is a short piece inspired by the idea of a mysterious woodland setting in which strange things come to life. 'Amethyst deceivers' are tiny purple mushrooms, rarely seen, but when f...

These six short pieces might more readily be described as fantasies, each with its own sound-world but linked by shared material. The mood of each of these short movements is guided by an imaginary la...

The music for 'Soul Catcher' was originally composed as an electroacoustic work for dance commissioned by English Dance Theatre in 1988. Casken later returned to the work and made a new version for ma...

Sacrificium was commissioned by the St Albans International Organ Festival for what has become one of the most influential organ competitions in the world. It is a demanding 8 minute work that will ch...

There is a sense of unease in the imagined landscape of John Casken’s Misted Land, as familiar shapes take on a new and sometimes grotesque and frightening appearance. Fragments of folk-like melodies...

Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran's New French Song project. It was as a result of having wri...

In spite of having written many works including piano, before composing my new suite of pieces there were only two for solo piano: The Haunting Bough and Pleasure Ground. I decided to incorporate thes...

There is a sense of unease in the imagined landscape of John Casken’s Misted Land, as familiar shapes take on a new and sometimes grotesque and frightening appearance. Fragments of folk-like melodies...

Written for the superb Domus ensemble, Casken's vivid addition to the small number of modern piano quartets exploits the very different sonorities, weight and attack which strings and piano possess. C...

Après un silence was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an en...

In spite of having written many works including piano, before composing my new suite of pieces there were only two for solo piano: The Haunting Bough and Pleasure Ground. I decided to incorporate thes...

Soprano and Small Ensemble