Krzysztof Penderecki: Partituras dificil

This edition replaces and completes the edition CB 158 of the Divertimento per violoncello solo. The movements have been arranged in a new order. To four of the movements Boris Pergamenshikov has adde...

In this second Sonata Krzysztof Penderecki shows the fruits of almost five decades of continuing artistic development. While the first Sonata by the 20 year-old student was already a remarkable stylis...

In his choice of the title La Follia, Krzysztof Penderecki recalls the tradition of virtuosic variations on a Sarabande originating from the Baroque period. The theme is introduced first in pizzicato,...

Agnus Dei from the Polish Requiem for eight-part choir was written after the death of the Primate of the Polish Catolic Church Stefan Wyszynski. It is slow in tempo, supplicatory in nature and quasi-t...

Penderecki dedicated the last composed part of Polish Requiem to his contemporary Pope John Paul II. After several arrangements, the version for six violoncellos premiered in 2015 is now published as...

This sextet is one of Penderecki's weightier contributions to the chamber music canon. The two expansive movements, Allegro moderato and Larghetto, are strongly subdivided and structured by means of d...

The composition of Krzysztof Penderecki’s four string quartets is marked by an idiosyncratic interruption: the first two experimental, improvisatory quartets were composed in swift succession in the 1...

Ich habe mein Bestes gegeben, das ursprüngliche Werk originalgetreu wiederzugeben. Allerdings tauchen in der Bearbeitung Stellen auf, an denen Klänge umgestaltet wurden, damit sie den technischen Beso...

Das Originalwerk zu dieser Bearbeitung ist die Ciaccona für Streichorchester aus dem Jahre 2005, die aus Anlass des Todes Papst Johannes Paul II. entstand. Als instrumentales Zwischenspiel hat sie der...

Ein Werk von Krzysztof Penderecki fehlte bisher im Repertoire der Solo-Gitarre. Die hier veröffentlichten Bearbeitungen entstanden 2015 nach einem Treffen des Gitarristen Lukasz Kuropaczewski und Maes...

The transcription of the Sinfonietta remains as closely to the original as possible while fully exploring the accordion's possibilities of registration, tonal colouring and playing techniques. The rha...

The present transcription of Cadenza was written as part of a complete recording of Penderecki's compositions for violoncello solo at the Krzysztof Penderecki European Centre for Music in Luslavice in...

The present transcription of Cadenza was written as part of a complete recording of Penderecki's compositions for violoncello solo at the Krzysztof Penderecki European Centre for Music in Luslavice in...

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