Max Reger: Partituras dificil

Three Suites for Cello Solo by Max Reger. This Henle Urtext Edition is an accurate and authoriatative version, carefully edited by Wolf-Dieter Seiffert.

The variation cycle and the fugue are genres in which Max Reger developed a special mastery. Thus one can speak of Reger's unique Bach Variations op. 81 as the culmination of his piano oeuvre, offerin...

Die Wiederentdeckung der Originalhandschriften von Max Regers Werken für Violine, Viola und Violoncello op. 131a-d stellt eine kleine Sensation dar. Diese späten Werke für Solostreicher der Jahre 1914...

Die Wiederentdeckung der Originalhandschriften von Max Regers Werken für Violine, Viola und Violoncello op. 131a-d stellt eine kleine Sensation dar. Diese späten Werke für Solo-Streicher der Jahre 191...

Los dos cuartetos para trombón publicados aquí son arreglos de ajustes vocales de Max Reger, Johannes Brahms y Richard Wagner de tres poemas: Nachtlied, Der Falke y An Weber's Grabe. Las tres partes p...

This classic from the archives of Bote & Bock is now available again as a reprint.

The rediscovery of the original manuscripts of Max Reger's works for violin, viola and violoncello op. 131a-d in the Prague Conservatory Library represents a small sensation. These late works for solo...

This publication presents a wonderful opportunity for organists to enjoy Reger's elaborate work.

Notenhandschrift im Faksimile; Auszug aus der ersten Seite der Choralfantasie für Orgel

Reger's unaccompanied setting Maria, Himmelsfreud (WoO VI/12) was probably composed at the end of 1899 to a commission from the Regensburg Cathedral music director Franz Xaver Engelhart for the collec...

Reger's unaccompanied setting Maria, Himmelsfreud (WoO VI/12) was probably composed at the end of 1899 to a commission from the Regensburg Cathedral music director Franz Xaver Engelhart for the collec...

Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel....

Reger composed Palmsonntagmorgen (WoO VI/18) at the beginning of 1902 at the request of the Chemnitz organist and choral director Georg Stolz. Stolz may also have suggested the text by Emanuel Geibel....

El Salmo 100 de Max Reger es una de las obras sinfónicas corales del gran estilo del modernismo clásico. El arte polifónico en la tradición de Bach se combina con una expresividad contrastada y abruma...

Coro SSATBB - Partitur mit Klavier

Max Reger's setting of Psalm 100 is one of the "grand style" choral-symphonic works of the classical modern repertoire. Contrapuntal skill in the tradition of Bach combines with overwhelmingly powerfu...

Der 100. Psalm von Max Reger zählt zu den chorsymphonischen Werken "großen Styls" der klassischen Moderne. Polyphone Kunstfertigkeit in der Tradition Bachs vereint sich mit kontrastreicher und überwäl...

Volume 6 of the series “Songs and Choral Works” features Max Reger’s works for solo voice and orchestra written between 1912 and 1915. In addition to the only two original compositions – An die Hoffnu...

The rediscovery of the original manuscripts of Max Reger's works for violin, viola and violoncello op. 131a-d in the Prague Conservatory Library represents a small sensation. These late works for solo...

The rediscovery of the original manuscripts of Max Reger's works for violin, viola and violoncello op. 131a-d in the Prague Conservatory Library represents a small sensation. These late works for solo...