Métodos de flauta travesera

Considered by many as the definitive method for the Flute, Foundation to Flute Playing by Ernest F. Wagner (ca. 1870-1954) has served as the bible and method of choice for generations of musicians stu...

Larry Clark's The Complete Scale Compendium focuses on what is most common in the study of classical music: core major and minor scales, as well as chromatic, pentatonic, whole-tone, and blues scales....

Flutist Robert Stallman, a top prize-winning graduate of New England Conservatory and a Fulbright scholar at the Paris Conservatoire, has drawn accolades around the world as a performer and recording...

Elena Somaré, multimedia artist, is one of the most rare whistling artists on the international scene. She has performed in many prestigious theatres and concert halls around the world, bringing the a...

The first volume in the Step by Step series contains 14 structured lessons, a DVD and 2 CDs. The aim of this book is to provide all beginners with an opportunity to have fun whilst learning the flute....

Flute Sight-Reading 2 aims to build on the sight-reading skills learnt in book 1. There are five sections in increasing development. The emphasis is on providing idiomatic tunes and structures rather...

Robert Winn's exercises for the development of articulation and tonguing shall show all flutists an interesting way to get to know and add to the character and spectrum of musical expression. This edi...

In 'Check-up' Peter-Lukas Graf has compiled a training program that enables the flautist to constantly check and improve his technique with targeted, daily changing basic exercises. All exercises are...

Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and fami...

Peter-Lukas Graf, one of Europe's renowned flutists, has put together a training program that enables flutists to constantly check their technique with targeted exercises. A booklet for every flutist...

It happens again and again that you want to play a tone that doesn't occur too often - and you can't think of the fingering. A quick glance at the spicker and you'll find the correct fingering. All ne...

Discover the ideal companion for your flute playing: The "Grifflexikon für die Böhmflöte" (Fingering Lexicon for the Boehm Flute), published by the renowned Anton J. Benjamin, is an indispensable refe...

The Flute ABC is the work of flautist and flute teacher Vilmos Bántai, who died not long ago. Earlier it was circulated in manuscript, but now the widow of the artist, Éva Sipos, herself a music teach...

In our flute tutor we have tried to allocate the musical and technical content in such a way as to make the path of development smooth and obstacle-free for beginners. This is a Hungarian tutor that w...

Composer's Note Evenness and beauty of tone will improve with the strengthening of the action of the lips while playing these passages. After a while you will be able to forget the difficulties of the...

Franz Joseph Haydn was one of the most prominent composers of the Classical period, and was referred to as the Father of the String Quartet. This grade 2-3 duet collection is both fun to play and will...

Wolfgang Amadeus Mozart was a highly influential composer of the Classical era. This grade 2-3 duet collection is both fun to play and will provide educationally interesting tunes for sight reading an...

Chill-out' pieces to enjoy between exams. Fun Club continues, with a flute edition, including a free CD containing the performance and backing tracks. Also, a separate student copy is now available, w...

Here is a brand-new collection of duets, where the accent is on playing for pleasure. Double Act is aimed at players of equal standard, with the melody often shared between the parts. The popular melo...

Inspired by the Colourstrings method this tutor takes as its starting point the character of the instrument and the world of the child. It aims at a flexible and versatile control of the instrument as...