Michael Cox: Partituras medio

In Traditional Hymn Style, Words By Charles Wesley, Music By Simeon Marsh.

This light and lilting a capella piece is a little gem in our library, suitable for a high school or adult choir

For the mature male choir, this stunning, chant-like setting consists of three different prayers revealing the full depth of the Kierkegaard text. Although not vocally difficult, the quality of the in...

A soaring arrangement of a Brazilian devotional workAlso available in TTBB (HMC1748)

Moving words by George MacDonald celebrates the choice to follow God Easy-to-medium range

Though not the tune that we normally associate with this text, this one is truly beautiful. For women's voices with piano, the work is also available for mixed voices (HMC1539) or in a wonderful setti...

A moderately advanced Christmas concert piece.

A moderately-advanced new setting of the text by Lancelot Andrewes

This is an interesting treatment of Psalm 150. Each of three sections starts very quietly and builds, the middle section is done in counterpoint with the lines of the psalm over and against a constant...

Soaring arrangement of a Brazilian devotional workAlso available in SATB (HMC1311)

A time honored text to a new tune by Michael Cox, this is a welcome adaptation for male choruses.

This is an interesting treatment of Psalm 150. Each of three sections starts very quietly and builds, the middle section is done in counterpoint with the lines of the psalm over and against a constant...

This is an easily accessible piece for just about any choir. It is a beautiful setting of the poem by Horatius Bonar. Gorgeous harmonies and a moving accompaniment permeate the piece.

Michael Cox's setting of The Master's Touch is inspiring and uplifting, written for women's voices with keyboard, medium adult difficulty.

A charming devotional for mixed chorus with the first verse in women's voices, superb revival of a loved classic hymn.

Charming piece for mixed voices and keyboard accompaniment, medium adult difficulty

Stirring, uncomplicated, and uplifting, this octavo is ideal for a medium adult choir, written for mixed voices with treble solo.

A tranquil setting of Wesley's familiar and well-loved words