Michael Sweeney: Partituras fácil

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Composed in 1992, this classic for second year players has remained popular for contests and festivals. Here is an easy flex version scored for just four parts that retains the grit and intensity of t...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...

Here is a good example of creative arranging using very limited technical demands. Michael has taken this familiar standard and converted it into a smooth-sounding Latin chart. A trumpet/alto duet sta...